Products tagged with 'βερνίκια'

Protective lacquer for paintings with Αcrylic Ink.Colourless; flexible; scratch-resistant; non-yellowing; dilutable with water, but forms rather quickly a water-resistant film.Apply first layer very thin/”dry”. After a ventilation time from approx. 10 min. apply a second layer in a more rich/”wet” way to get a sealed surface.

Protective lacquer for paintings with Αcrylic Ink. Colourless; flexible; scratch-resistant; non-yellowing; dilutable with water, but forms rather quickly a water-resistant film. Apply first layer very thin/”dry”. After a ventilation time from approx. 10 min. apply a second layer in a more rich/”wet” way to get a sealed surface.

Protective lacquer for paintings with Αcrylic Ink.Colourless; flexible; scratch-resistant; non-yellowing; dilutable with water, but forms rather quickly a water-resistant film.Apply first layer very thin/”dry”. After a ventilation time from approx. 10 min. apply a second layer in a more rich/”wet” way to get a sealed surface.

Protective lacquer for paintings with AERO COLOR® Professional. Glossy; colourless; elastic; non-yellowing; dilutable with water, but forms rather quickly a water-resistant film. Also an ideal primer if diluted 1:1 with water and a final sealant for working with AERO COLOR® Professional on leather.

Intermediate varnish for painting in oil. Colourless; non-yellowing; very fast drying; might soften justdried oil colours; should not be used in layers with other final based on mineral spirit (tends to dull!); not suitable as a final varnish; might not be diluted with turpentine substitute (50019); the dried varnish layer remains soluble in alcohol.

Linseed oil boiled with oil-soluble siccatives. A little more yellowing than linseed oil and stand linseed oil; dries faster than linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil and tempera colours.

Final varnish for paintings in oil made from best white Palembang-dammar. Glossy; hardly yellowing; fast drying.

Final varnish for paintings in oil made from best white Palembang-dammar. Μatt; hardly yellowing; fast drying.

Final varnish for paintings in oil. Glossy; colourless; very elastic; hardly yellowing; fast drying.