Hahnemühle Watercolour 300 and 640 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality.The prized cotton papers, Watercolour 300 and 640, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques.The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.
Hahnemühle Watercolour 300 and 640 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality.The prized cotton papers, Watercolour 300 and 640, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques.The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.
This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.
This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.
This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.
600 gsm - 100% cotton - surface sized - cold pressed and hot pressed Leonardo is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. The heavy weight of this paper with its smooth, harmonious surface structure offers excellent flow of colour and ensures high brightness. This board is excellent for all watercolour techniques especially wet-in-wet and glazing. It is also suitable for painting techniques such as lavis, gouache, tempera and acrylic.
600 gsm - 100% cotton - surface sized - cold pressed and hot pressed Leonardo is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. The heavy weight of this paper with its smooth, harmonious surface structure offers excellent flow of colour and ensures high brightness. This board is excellent for all watercolour techniques especially wet-in-wet and glazing. It is also suitable for painting techniques such as lavis, gouache, tempera and acrylic.
Hahnemühle Expression is a natural white paper for all wet painting techniques. It consists of 100% cloth - i.e., cotton fibers - and therefore belongs in the same league as particularly high-quality papers. On its glued surface, colors appear brilliantly; wet colors are absorbed only slowly. Therefore, for a short time, you can remove it and correct it again. The matte watercolor paper can withstand frequent erasing and its pick resistance ensures that paper fibers do not detach from the surface even when wet. You can remove masking media and scratch crepe without residues even after a long time. Its surface is matte, so only slightly irregular surface delicate representations and fine details come into their own. If you work wet-on-wet, the colors are radiantly even and more controlled than on rougher papers. The block is glued on all four sides so that its remains flat even when wet. But don't separate the painted sheet until the colors have completely dried.
Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed
This watercolour book is the ideal companion for artists who love to capture their holiday memories without delay. The natural white 200gsm paper features a fine grained surface structure on both sides. Making it ideal for creating full width panoramic paintings. With 60 pages / 30 sheets, the watercolour book is compact while offering an ample amount of pages to paint your memories on. With a durable cover and a rubber band to hold the cover together your art work is protected. Available in the landscape formats A6, A5 and A4, also it is acid free and features a high longevity.
Hahnemühle Toned Watercolour Book - inspired by Urban Sketchers Hahnemühle’s Toned Watercolour Book contains 60 pages of finest watercolour paper. Matched to the requirements of watercolour painting, it is a must for all creatives who don’t want to miss the texture of classic watercolour paper on the go. The toned papers allow to set the focus on the motif, as a natural background colour is already given. In addition, the toned pages minimise the sun’s reflection and allow a relaxed sketching outside. The 200 gsm watercolour paper has a fine grain surface on the front and backside. Due to the surface sizing, colours can be effortlessly lifted from the paper. The use of masking fluids, adhesive tapes and erasers is possible without residue. The Toned Watercolour Book is available in grey or beige paper. The solid linen cover protects the contents from moisture and dirt, the colour-coordinated rubber band keeps everything well secured. Hahnemühle Toned Watercolour Books are available in landscape format A6 and A5, as well as square in the format 14 x 14 cm. The toned watercolor papers are acid-free and age resistant.
Hahnemühle Toned Watercolour Book - inspired by Urban Sketchers Hahnemühle’s Toned Watercolour Book contains 60 pages of finest watercolour paper. Matched to the requirements of watercolour painting, it is a must for all creatives who don’t want to miss the texture of classic watercolour paper on the go. The toned papers allow to set the focus on the motif, as a natural background colour is already given. In addition, the toned pages minimise the sun’s reflection and allow a relaxed sketching outside. The 200 gsm watercolour paper has a fine grain surface on the front and backside. Due to the surface sizing, colours can be effortlessly lifted from the paper. The use of masking fluids, adhesive tapes and erasers is possible without residue. The Toned Watercolour Book is available in grey or beige paper. The solid linen cover protects the contents from moisture and dirt, the colour-coordinated rubber band keeps everything well secured. Hahnemühle Toned Watercolour Books are available in landscape format A6 and A5, as well as square in the format 14 x 14 cm. The toned watercolor papers are acid-free and age resistant.
Natural white, acid free, lightfast and extremely age resistant. Finely woven texture, slightly rough, excellent properties for dry and wet painting techniques. The hard surface gives distinct colour flow.
The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.