Mediums for acrylics

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

Creamy painting medium for “soft” painting with acrylic colours. Retards drying; increases gloss and transparency. Simplyfies colour flows and colour transitions; creates paintings with acrylic colours surfaces similar to oil colours. Mixing ratio: max 1:1.

Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.

Fluid acrylic-medium for pouring. Optimized flow properties. Use pure or mixed in any ratio with acrylic colours (pretest!). Reduces crazing. Dries water-resistant, glossy and clear-transparent. Non-yellowing, flexible film with tack-free surface.

Fluid acrylic-medium for pouring technique, ideal for cell effects with addition of silicone oil. Is mixed with acrylic colours to improve their flow properties. Can also be diluted with water and combined with silicone oil to increase cell formation. Dries waterproof. Light-stable, flexible film. Do not use below 15°C. Substrates must be not too absorbent, clean, sustainable and grease-free. Pre-tests recommended. Thinner: Water

Thinner for AERO COLOR® Professional. Increases transparency; optimizes adhesive properties; increases resistance against wiping and water (regarding to water). Can be mixed with AERO COLOR® Professional as desired. Thinner: Water

Medium for AERO COLOR® Professional for mixing a textile airbrush colour (mixing ratio: 1:1). Thinner: Water Handling Shake well before use. AERO TEX is ready to use. Should be mixed with AERO COLOR® Professional in a ration of 1:1. Wash, dry and iron the material beforehand. Spray application wet. After finishing the design let it dry out. Iron the reverse side (cotton about 2 min.; silk / wool about 4 – 6 min.; synthetics about 8 min.; temperature should be adapted to the fabric!). Washable at 30 °C; do not dry clean. The product can be diluted with water, but dries up to a water-insoluble film. Please clean tools as soon as possible with water and/or AERO CLEAN RAPID 50606. Best results are achieved with spray application at processing temperatures between 15 and 30 °C, 2 bar air pressure and a nozzle size of > 0,15 mm for coloured shades and 0,3 mm for effect colours. Please don´t use the product below temperatures under 10 °C object- and room-temperatures. Close immediately after use. Store in a cool and dry place. Protect from frost. Individual pre-tests are required. Sizes: 28 ml

An extra light acrylic paste with a firm, very heavy consistency. Dries up to a white, matt, even surface with a stronger absorbent character. Ideal for structural effects also on flexible substrates, e.g. canvas. The low weight of this paste makes it ideal for large surfaces. Dries quicker than the other acrylic pastes.

Retarder is ready to use and should be mixed with acrylic colours on a separate palette in a ratio of max. 30 %. The effect depends on the amount of added medium; adding around 20 % extends the colour’s drying time by approx. 50 %. The product has no properties for film formation and therefore should not be use in pure form! The product can be diluted with water. Please clean tools as soon as possible with water or water and soap. Just dried acrylic colours can be removed with brush cleaner 50051 / 50052. Please don´t use the product below temperatures under 10 °C object- and room-temperatures. Close immediately after use. Store in a cool and dry place. Protect from frost. Individual pre-tests are required.

Jelly-like additive for acrylic colours in student quality. Ideal for prolonged wet-on-wet painting. Adding around 20% extends the colour’s drying time by approx. 50%.To be added in a ratio of maximal 30%. Not to be used in pure form!

A transparent pastose heavy body gel in student quality. Dries up to a clear, glossy film. Ideal for transparent structures and collages.

A transparent pastose heavy body gel in student quality. Dries up to a clear, matty film. Ideal for transparent structures and collages.

An acrylic paste with a heavy consistency in student quality. Dries up to a white, semi-matt, even surface. Ideal for structuring and modelling effects especially on rigid substrates, e.g. primed wood.

A light acrylic paste with a heavy consistency in student quality. Dries up to a white, even surface. Ideal for structural effects also on flexible substrates, e.g. canvas. The low weight of this paste makes it ideal for large surfaces.

Texture Paste is a thick, white, matt paste which is used to build up heavy layers of texture. It dries to a matt finish, which is ideal for overpainting with acrylic colour. Texture paste can be applied to a wide variety of grease-free surfaces. If the texture paste is applied to a more flexible surface then it should be mixed with acrylic Impasto Gel Medium (Matt). When doing this, it is important to increase the amount of Gel Medium according to the thickness of the paste applied.

Daler-Rowney System3 Screen Printing Medium turns System3 Acrylic Paint into rich and vibrant screen printing inks which are perfect for use on paper, card and board. This water-soluble printing medium slows the drying time of acrylics, allowing them to be easily washed out of a screen.

Medium που προστίθεται στα ακρυλικά σε αναλογία 1:1 και τα μετατρέπει σε χρώμα μεταξοτυπίας ή χρώμα κατάλληλο για ύφασμα, ανθεκτικό στο πλύσιμο.