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Pasty final varnish for paintings in oil made from best white Palembang dammar and beeswax. May only be applied by ball of the thumb or with a lint-free cloth at room temperature to the layer of oil paint after it has dried completely, i.e. after 8 - 12 month at the earliest. After the layer has completely dried (approx. 24 hours) the initial matte varnish becomes satin-glossy by carefully polishing with a soft brush. Contains beeswax, dammar, white spirit.

All purpose transparent glue 50 ml transparent after hardening and rather thin fluid 50 ml is sufficient for 0.15 - 0.3 m² for supports made out of wood, MDF, glass, terra cotta e.g. conditionally suitable for outdoor use suitable for almost all mosaic tesserae except acrylic mosaic recommended for flat and smooth surfaces

Mosaic glue - water soluble, removable glue, especially for mosaic using indirect method 100 ml is sufficient for 0.5 - 1,0 m² H0076 - 25 ml, H0077 - 100 ml

Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface.

Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface.

Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Acid free. For watercolour and all painting and drawing media.

Watercolour painting sends its greetings – with this watercolour postcard pad. Individualists and creative souls now have free reign. Greeting cards, holiday impressions, invitations and much more can be painted on the Hahnemühle postcard pad and sent by post. The pad is provided with high quality Hahemühle watercolour board “Burgund” 250 gsm, natural white, acid free and extremely resistant to ageing. The reverse side is a pre-printed postcard. Size 10,5 x 21cm

SINOART X-Soft Oil Pastel set available in 24 colors. These pastels are meticulously crafted using a blend of high-quality mineral oil, wax, and professional-grade pigments, offering artists a rich, creamy texture and gentle yet vibrant hues. The Extra Soft(X-Soft) Oil Pastels are fade-resistant, waterproof, and non-toxic. Ideal for both professional artists and enthusiasts.

Features a wood handle and triangular blade.Use for cutting and shaping ceramic and clay. Steel blade.

Deluxe soft rubber or silica with heavy steel frame, plastic handle Material: soft rubber 40/42 durometer roller, ideal for inking blocks or carved surfaces for printmaking.Ideal for polymer clay rolling, embossing. One-piece metal handle. Produces smooth and complete coverage. Perfect for classroom or home use. This product is used for arts and craft work.

Deluxe soft rubber or silica with heavy steel frame, plastic handle Material: soft rubber 40/42 durometer roller, ideal for inking blocks or carved surfaces for printmaking.Ideal for polymer clay rolling, embossing. One-piece metal handle. Produces smooth and complete coverage. Perfect for classroom or home use. This product is used for arts and craft work.

Sari Small - Journal 9x12cm approx. - 100 pages of 100% handmade cotton paper. Textile on cover. Handmade in India.

Sari Small - Journal 15x21cm approx. - 100 pages of 100% handmade cotton paper. Textile on cover. Handmade in India.

Flibuste Journal 12.5x16.5cm approx. – Paper cover. 200 sewn pages of handmade rag paper: 100% cotton, bistre color. Handmade in India. The handmade paper is made by hand, using the traditional frame method • Pure Rag • Made from 100% cotton fibers, obtained from the recycling of textile scraps from local industries •

Qumran Notebook - 15x21cm Journal - 80pages of sewn 200GSM thick paper - 100% cotton rag handmade paper. Handmade in india. With it's thick and deckle edge paper it is an ideal support for dry and slightly wet techniques.

Frégate Leather Journal 13x17.5cm approx. – Leather cover. Rechargeable inside, 200 sewn pages of handmade rag paper: 100% cotton, bistre color. Handmade in India. • Pure Rag Paper • Made from 100% cotton fibers, obtained through the recycling of textile scraps from local industries •

Segment Notebook 21x21cm approx. – 72 deckle-edged pages of handmade rag paper, 100% cotton, handmade, white. Paper cover worked with cotton threads. Handmade in India.

* Coated paper * Pure rag paper *Made from 100%cotton fibers obtained by recycling textile offcuts Note: Kintsugi is a Japanese art form in which broken pottery is repaired with laquer mixed with gold, emphasizing cracks rather hiding them.

Liasse Trésor - 15x21cm env. - 84 pages of white paper, 100% cotton rag, handmade. It's cover is printed and than highlighted by hand with golden dots. Handmade in India.

Agile Notebook – 12.5x16.5 cm approx. – Paper cover, 52 cream-colored sewn pages. 100% cotton handmade paper. Handmade in India. This notebook consists of a hand-screen-printed paper cover, a sewn binding, and 52 pages of dense handmade paper, perfect for writing and drawing. • Pure Rag Paper • Cream tone • Cut edges • Made on a round mold, from 100% cotton fibers, obtained through the recycling of textile scraps from local industries •

Ento Bundle – 15x21 cm approx. - 96 deckle-edged pages of handmade paper, 100% cotton, in 3 colors. Sewn binding. Fine cover with motif. Handmade in India. Just like the Pure Rag Paper it is made from, this bundle is entirely handcrafted. Its sewn binding combines three colors of paper, and its soft cover, in Gray or Tan, is printed with a motif — Beetle or Dragonfly — enhanced by hand with golden touches.

Ento Bundle – 15x21 cm approx. - 96 deckle-edged pages of handmade paper, 100% cotton, in 3 colors. Sewn binding. Fine cover with motif. Handmade in India. Just like the Pure Rag Paper it is made from, this bundle is entirely handcrafted. Its sewn binding combines three colors of paper, and its soft cover, in Gray or Tan, is printed with a motif — Beetle or Dragonfly — enhanced by hand with golden touches.

Sisal Naturel 120 gsm approx. – Sheet 55x75cm approx. Natural Sisal fiber paper, vat-made, deckle edges. Handmade in India. Sisal natural fiber has long been valued for its strength, especially in the making of rugs, textiles, and ropes. Derived from agave cultivation, it is renewable. Here, we have made it into a fairly lightweight, beautifully translucent paper with a natural look. Its surface, animated by longer, slightly pearlescent fibers, makes it ideal for various projects: Framing - Lighting - Décor - Binding - Box making.

Gold Greenery - 50x75cm approx. Fine Lokta natural fiber paper, deckle edges - gold print. Handmade in Nepal.

Adigraf Oil Block Printing Medium transforms traditional oil paints into vibrant, high-quality inks ideal for block, lino, and relief printing. Designed to be mixed with Georgian Oil paints at a ratio of 1.5 parts medium to 1 part paint, this medium offers a convenient and cost-effective way to create bespoke printing inks without purchasing a full set of specialist colours. Allow prints to dry for 3-5 days before overprinting to achieve the best results. Made in the UK, it enables artists to explore oil-based block printing with ease and confidence.

Gouache Renesans 12 Colours, 20ml. Renesans GOUACHE Extrafine is easy to use and has a great covering power. In addition to pigment, the production of gouache involves kaolin and other raw materials to make the paint very soluble. Our gouache is held together with gum arabic and produces a thick, opaque layer on dry or wet paper. Contains the following colours: Contains the following colours: Titanium white, Naples Yellow reddish, Primary Yellow, Magenta, Raw Sienna, Carmine, Phthalo cyan blue, Ultramarine, Burnt Sienna, Emerald green, Violet, Black.

Gouache Renesans 5 Primary Colours. 20ml. Renesans GOUACHE Extrafine is easy to use and has a great covering power. In addition to pigment, the production of gouache involves kaolin and other raw materials to make the paint very soluble. Our gouache is held together with gum arabic and produces a thick, opaque layer on dry or wet paper. Contains the following colours: Titanium white, Cyan, Magenta, primary yellow, Black.

Completely odorless, this powerful thinner is ideal for use in confined spaces and for allergy sufferers.

This powder can be used in two ways: by applying it to the paper before painting, it will have a similar effect to masking fluid – the first layer should be painted immediately after applying the powder. The second method is to apply it by sprinkling it on a wet watercolor surface and then gently rubbing it in. In both cases, a pleasant, irregular rubbing effect will be achieved, as the powder has hydrophobic properties. Areas covered with the powder remain white, similar to masking fluid, revealing the texture of the paper. However, the covered areas can be easily erased with an eraser and then re-coated with watercolors.

The Print Block is a soft, synthetic rubber slab that is easy to work with linoleum cutters. It is easy to wash after use and can be reused. You can print directly on it by pressing down with your hands. Also suitable for children. Available in sizes: 7 x 11.5cm, 10 x 14.3cm and 17 x 28.2cm.