Painting

Τερεβινθέλαιο, φιλτραρισμένο και ραφιναρισμένο για την αραίωση λαδιών, βερνικιών και ρητινών.

Mixture of solvents with similar properties to turpentine oil (50024, 50102). Gentle odour. Thinner for oil colours, oil panting mediums and varnishes based on mineral spirit; not mixable with varnishes based on alcohol; solvent for dammar resin, but not for mastic resin.

Reviver to restore brittle and dull oil-colour layers which have been through dried over a long period. Works more efficient than oil of turpentine or turpentine substitute (50019). Rub in the medium sparingly (!) with a soft lint-free cloth until original brightness is regained. The necessary penetration time depends on the hardness of the colour layers. On principle: as short as possible. Remove the medium carefully from the surface with oil of turpentine or turpentine substitute . Follow-up treatment with final or picture varnish is recommended (please wait some weeks until the picture layers has been consolidate.

Product works more efficient than oil of turpentine (50024, 50102) or turpentine substitute (50019). Apply varnish remover with a soft lint-free cloth to a small area; moisten the varnish with lightly (!) rotary motions and take it off carefully with the cloth. Observe the softening process of the colour layer. Pre-tests before use!

Protective lacquer for paintings in acrylic. Satin glossy, clear; colourless; non-yellowing; age-resistant; dilutable with water, but forms rather quickly to a water- and weather resistant film. ( ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Protective lacquer for paintings in acrylic. Glossy, clear; colourless; non-yellowing; age-resistant; dilutable with water, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Προστατευτικό βερνίκι για ακρυλικά σε σπρέι. Γυαλιστερό, διαφανές, ελαστικό. Δεν κιτρινίζει και προστατεύει από την UV ακτινοβολία και τις καιρικές συνθήκες. Στεγνώνει γρήγορα.

Final varnish with UV-protector especially for paintings in acrylic; also suitable for inkjet prints, art prints and photos.

Final varnishes with UV-protector especially for paintings in acrylic; also suitable for inkjet prints, art prints and photos.

Final fixative to protect water-colour paintings from humidity and dust based on alcohol. Colourless; non-yellowing, age-resistant; fast drying. (Hint: May increase transparency of water-colour papers!)

Final varnish with UV-protector for several painting techniques (e.g. oil. acrylic, gouache; also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month; drying time for thin acrylic coulours: approx. 3 days, for thicker acrylic layers: approx. 1 – 2 weeks; drying time for gouache: approx. 1 day).

It is used to speed up the oil paint drying time, must be added in small amounts to the paint before its application. The overuse of the drier can cause a painting peeling, bright loss and paint fixation problems

Appointed to the crease Matte Acrylic Paint, Metal Colors or Craft Paint, can be applied to pieces of plaster, wood, ceramic, metal, styrofoam, etc. Prepare to part with Gloss Decorative Paint, Metallic or Matte, color desired and let dry thoroughly. Apply a thin coat of varnish Crackle and wait 10 to 15 minutes (the varnish will not dry). Thin with a little water other color Matte Acrylic Paint (do not use metal or glossy in the second application) and apply with a soft brush, without passing twice in the same place and without glaze, but banking ink. The varnish will crease after drying, which takes an average of 24 hours. If desired, to accelerate the creaking with a dryer.

Speeds up the drying time, keeping the paint bright and consistent. Improves the flexibility and the spreading, making cut and transparency.

For crackles in acrylics. This fine, white, even and highly absorbent acrylic paste forms crackles while drying. Can be dyed with acrylic colours (max. 30%) or be overpainted after drying. Application with brush or spatura on grease free, sustainable and especially rigid surfaces.

Intermediate varnish for painting in oil. Colourless; non-yellowing; very fast drying; might soften justdried oil colours; should not be used in layers with other final based on mineral spirit (tends to dull!); not suitable as a final varnish; might not be diluted with turpentine substitute (50019); the dried varnish layer remains soluble in alcohol.

Final varnish for paintings in oil made from best white Palembang-dammar. Glossy; hardly yellowing; fast drying.

Final varnish for paintings in oil made from best white Palembang-dammar. Μatt; hardly yellowing; fast drying.