Painting

Fluid acrylic-medium for pouring technique, ideal for cell effects with addition of silicone oil. Is mixed with acrylic colours to improve their flow properties. Can also be diluted with water and combined with silicone oil to increase cell formation. Dries waterproof. Light-stable, flexible film. Do not use below 15°C. Substrates must be not too absorbent, clean, sustainable and grease-free. Pre-tests recommended. Thinner: Water

UV-resistant, waterbased varnish sprays for maximum effectiveness and protection of acrylic and oil paintings.Αvailable in Matte,Satin and Glossy .

Synthetic resin varnish 50585 Final varnish for paintings in acrylic. Matt, colourless; non-yellowing; age-resistant; fast drying. Thinner: Turpentine substitute (50019)

A white, light-resistant and non-aging coarse primer for working with water colours on greaseless surfaces like canvas, card board or wood. Forms an elastic, matt, structured film after drying. AQUA watercolour ground, coarse is ready to use and should be applied pure with a pallet knife onto the painting ground.

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Used to create striking white highlights or areas for overpainting at a later stage. Forms a fast-drying, water-resistant film on watercolour paper and board, easily removed when dry by rubbing with an eraser, soft tissue or cotton bud. An old brush, pen or cotton bud should be used to apply the Masking Fluid as it is extremely difficult to remove from brushes when dry.