Painting

Final varnish for paintings in oil. Glossy; colourless; very elastic; hardly yellowing; fast drying.

Gloss varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month).Elastic,Non-yellowing, non ageing.

Gloss varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month).Elastic,Non-yellowing, non ageing.

Μatt varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos). May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month). Elastic, non-yellowing, non ageing.

Νeutral varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos). May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month). Elastic, Non-yellowing, non ageing.

Final varnish for paintings in oil. Glossy; colourless; non- yellowing; age-resistant; fast drying.The product is ready to use, but can be diluted with e.g. turpentine substitute. May only be applied with a suitable varnish brush at room temperature to the layer of oil paint after it has dried completely, i.e. after 8 – 12 month at the earliest.

Final satin-matt varnish with UV-protector for several painting techniques (e.g. oil. acrylic, gouache; also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month; drying time for thin acrylic coulours: approx. 3 days, for thicker acrylic layers: approx. 1 – 2 weeks; drying time for gouache: approx. 1 day).

This versatile varnish is used to bring back the original paint quality of dry or dull oil paints. Daler-Rowney Retouching Varnish can be reduced with solvents, and it is much thinner than final top coat varnishes. It can be used as a preliminary varnish as soon as the paint surface is dry to the touch, since oil paints can continue to dry out through the film. This can be useful for varnishing a new painting before an exhibition. After a painting is fully dry, a retouching varnish can be removed with turpentine or mineral spirits prior to final varnishing, or it can be left underneath the final varnish.

Ενδιάμεσο γυαλιστερό βερνίκι για λάδι σε σπρέι. Δεν επηρεάζει το φρεσκοστεγνωμένο χρώμα. Άχρωμο,δεν κιτρινίζει. Πολύ γρήγορο στέγνωμα! Έτοιμο για χρήση. Απομακρύνεται με νέφτι ή white spirit.

Daler Rowney Artists' Clear Picture Varnish is a removable picture varnish that produces a clear even gloss finish, which will not yellow or bloom when painted on dry oil paintings. When applied lightly by a spray diffuser it makes an excellent Retouching Varnish. Daler Rowney Artists' Clear Picture Varnish may be used on both oil & acrylic painting.

Fluid acrylic-medium for pouring. Optimized flow properties. Use pure or mixed in any ratio with acrylic colours (pretest!). Reduces crazing. Dries water-resistant, glossy and clear-transparent. Non-yellowing, flexible film with tack-free surface.

Fluid acrylic-medium for pouring technique, ideal for cell effects with addition of silicone oil. Is mixed with acrylic colours to improve their flow properties. Can also be diluted with water and combined with silicone oil to increase cell formation. Dries waterproof. Light-stable, flexible film. Do not use below 15°C. Substrates must be not too absorbent, clean, sustainable and grease-free. Pre-tests recommended. Thinner: Water

UV-resistant, waterbased varnish sprays for maximum effectiveness and protection of acrylic and oil paintings.Αvailable in Matte,Satin and Glossy .

Synthetic resin varnish 50585 Final varnish for paintings in acrylic. Matt, colourless; non-yellowing; age-resistant; fast drying. Thinner: Turpentine substitute (50019)

A white, light-resistant and non-aging coarse primer for working with water colours on greaseless surfaces like canvas, card board or wood. Forms an elastic, matt, structured film after drying. AQUA watercolour ground, coarse is ready to use and should be applied pure with a pallet knife onto the painting ground.

Ready-to-use binder for Schmincke Oil bronzes. For brilliant metallic effects on oil paintings and several other surfaces like wood, metal or gypsum. The gilding remains after drying soluble to turpentine respectively turpentine substitute. (Pre-tests are recommended prior to the application of varnish!).Mix 3 parts Schmincke oil-bronze and 2 parts bronze medium with a painting knife shortly before application.

Impasto for oil paints is a thick, cohesive paste for modeling and creating thick layers on canvas. It can be mixed with oil paints to create texture on the surface. It does not lose volume and is very durable

ellylike medium for “soft” painting with oil colors. Improves flow and reduces brush stroke; accelerates drying highly; increases gloss and transparency. There is no change of the product quality based on the color change of the raw material alkyd resin. Shake well and stir – if necessary – before use. Close immediately after use. Dosage: 10 to max. 20%.Thinner: Turpentine substitute