Painting

Synthetic resin varnish 50585 Final varnish for paintings in acrylic. Matt, colourless; non-yellowing; age-resistant; fast drying. Thinner: Turpentine substitute (50019)

Ready-to-use binder for Schmincke Oil bronzes. For brilliant metallic effects on oil paintings and several other surfaces like wood, metal or gypsum. The gilding remains after drying soluble to turpentine respectively turpentine substitute. (Pre-tests are recommended prior to the application of varnish!).Mix 3 parts Schmincke oil-bronze and 2 parts bronze medium with a painting knife shortly before application.

Impasto for oil paints is a thick, cohesive paste for modeling and creating thick layers on canvas. It can be mixed with oil paints to create texture on the surface. It does not lose volume and is very durable

ellylike medium for “soft” painting with oil colors. Improves flow and reduces brush stroke; accelerates drying highly; increases gloss and transparency. There is no change of the product quality based on the color change of the raw material alkyd resin. Shake well and stir – if necessary – before use. Close immediately after use. Dosage: 10 to max. 20%.Thinner: Turpentine substitute

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Used to create striking white highlights or areas for overpainting at a later stage. Forms a fast-drying, water-resistant film on watercolour paper and board, easily removed when dry by rubbing with an eraser, soft tissue or cotton bud. An old brush, pen or cotton bud should be used to apply the Masking Fluid as it is extremely difficult to remove from brushes when dry.

Hydropower Medium by Renesans. A liquid, odorless medium for oil paints in a 100 ml bottle. Hydropower Medium allows you to mix oil paints with water instead of turpentine or linseed oil. Thanks to it, there is no need to use harmful solvents - tools can be easily washed only with soap and water. The drying time and varnishing are carried out in a traditional way for oil paints. The medium should be mixed with the paint using a spatula in a ratio of 1: 2 (medium: oil paints). Water can be added to the resulting mixture to thin the paint. The medium increases the transparency and gloss of the paints.