Painting

A natural coloured, light-resistant and non-aging, very adsorbent primer for working with pastels on greaseless surfaces like wood, metal, canvas or paper (> 350 g/m2 ). Forms an elastic, matt, rough film after drying. Ideal for mixing techniques with watercolours, gouache or acrylic colours. Primer for pastels is ready for the application with a paint roller; for working with a brush please dilute with max. 20% of water.

Five colors printing with dragon anaglyph, 31 gr

*Recommended to sumi painting drawing writing and watercolorist artists. * It does not have the strong ink smell. *It is a permanent, stable ink. It cannot be re-wetted or reused once it dries. For grey tones simply lighten with added water. * This bottled Sumi ink for calligraphy and brush painting. * After using, the brush can be easily rinsed by dipping in water.

Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to set up transparency paintings on gouache, tempera and acrylic paints; thins with hardly affecting the drying time and gloss. Dosage: 10 to max. 20%

Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to set up transparency paintings on gouache, tempera and acrylic paints; thins with hardly affecting the drying time and gloss. Dosage: 10 to max. 20%

Intermediate varnish for painting in oil. Colourless; non-yellowing; fast drying; does not solve just-dried oil colours; it is possible to add a final varnish based on mineral spirit at once; the dried varnish layer remains soluble in turpentine substitute.