Painting

A transparent, light-resistant and non-aging primer for oil and acrylic colours and pastel with slightly absorbent character. Forms an elastic, matt, slightly rough film after drying. Transparent primer is ready to use, but can be diluted with max. 10% of water.

A white, light-resistant and non-aging, even primer for working with water-colours on greaseless surfaces like linen canvas, card board or wood. Forms an elastic, matt, even film after drying. AQUA watercolour ground, fine is ready to use and should be applied in minimum 3 layers on the ground. If been diluted with water (max. 10%) you have to apply more layers.

The transparent primer allows watercolour painting on grease-free surfaces such as canvas, painting boards, wood as well as on acrylic paintings in which the surface remains visible - in comparison to the existing white watercolour ground, fine - and provides for especially creative options. The watercolour ground, transparent forms an even, matt, elastic and age resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Thinner: Water

Pasty medium for oil colours. Suitable for prima- and putty-knife painting technique. Preserves the natural tone and buttery character of an oil colour; accelerates drying and supports the through drying of thicker oil layers. There is no change of the product quality based on the colour change of the raw material stand oil. Dosage: 10 to max. 30%

Very fast drying medium for oil colours. Especially recommended for prima painting, transparency painting, and also for the application of upper colour layers on already dried layers; increases gloss and transparency. Quick application is necessary as the mixture dries fast on the pallet. Close immediately after use. Dosage: 10 to max. 20%.

Liquid medium for mixing oil colours with water instead of turpentine or turpentine substitute. Increases gloss and transparency; harmonizes drying process; odourless. Shake before use. Mix 2 parts of oil colour and 1 part of medium W on a palette, than add water like you want; if necessary add more medium W. Painting tools can be cleaned with water. There is no change of the product quality based on the color change of the raw material alkyd resin. Dosage: 50%.

Slightly thinner than Liquin or other Alkyd gel mediums, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Alkyd flow medium reduces drying time.

A “neutral”, nearly non-yellowing painting- and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough); has only a low impact on drying time. For dilution use terpin (max. 30%). Dosage: 10 to max. 20%.

Creamy painting medium for “soft” painting with acrylic colours. Retards drying; increases gloss and transparency. Simplyfies colour flows and colour transitions; creates paintings with acrylic colours surfaces similar to oil colours. Mixing ratio: max 1:1.

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

Creates a velvety matt, gouache-like surfaces when added to acrylic colours. Increases opacity of transparent colours, has a brightening effect. Max. Addition quantity 50%.

An extra light acrylic paste with a firm, very heavy consistency. Dries up to a white, matt, even surface with a stronger absorbent character. Ideal for structural effects also on flexible substrates, e.g. canvas. The low weight of this paste makes it ideal for large surfaces. Dries quicker than the other acrylic pastes.

A transparent pastose gel that adds a glossy finishing when blend 1:1 with acrylics. Dries up to a clear, glossy film.

A transparent pastose gel that adds a matt finishing when blend 1:1 with acrylics. Dries up to a clear, matt film.

Watercolors granulation fluid is a special liquid medium that gives an irregular, mottled or grainy appearance to watercolor paints, the pigments of which usually create smooth surfaces. Adding a granulating medium to paints with pigments that are already granulating will further enhance this effect. For more expressive granulation, it is best to use fluid-medium instead of water and paint on rough paper. A softer effect will be obtained on hot press paper with a satin finish. It is recommended to paint horizontally.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Natural medium based on acacia honey, suitable for increasing the gloss and intensity of watercolour paints. It promotes the "granulation" effect, prolongs the drying of the paint and increases elasticity. We recommend to use rather smaller quantities, the ideal ratio must be tested according to the type of colour and the desired consistency.