Painting

A transparent, light-resistant and non-aging primer for oil and acrylic colours and pastel with slightly absorbent character. Forms an elastic, matt, slightly rough film after drying. Transparent primer is ready to use, but can be diluted with max. 10% of water.

A white, light-resistant and non-aging, even primer for working with water-colours on greaseless surfaces like linen canvas, card board or wood. Forms an elastic, matt, even film after drying. AQUA watercolour ground, fine is ready to use and should be applied in minimum 3 layers on the ground. If been diluted with water (max. 10%) you have to apply more layers.

The transparent primer allows watercolour painting on grease-free surfaces such as canvas, painting boards, wood as well as on acrylic paintings in which the surface remains visible - in comparison to the existing white watercolour ground, fine - and provides for especially creative options. The watercolour ground, transparent forms an even, matt, elastic and age resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Thinner: Water

Creamy painting medium for “soft” painting with acrylic colours. Retards drying; increases gloss and transparency. Simplyfies colour flows and colour transitions; creates paintings with acrylic colours surfaces similar to oil colours. Mixing ratio: max 1:1.

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

Creates a velvety matt, gouache-like surfaces when added to acrylic colours. Increases opacity of transparent colours, has a brightening effect. Max. Addition quantity 50%.

An extra light acrylic paste with a firm, very heavy consistency. Dries up to a white, matt, even surface with a stronger absorbent character. Ideal for structural effects also on flexible substrates, e.g. canvas. The low weight of this paste makes it ideal for large surfaces. Dries quicker than the other acrylic pastes.

A transparent pastose gel that adds a glossy finishing when blend 1:1 with acrylics. Dries up to a clear, glossy film.

A transparent pastose gel that adds a matt finishing when blend 1:1 with acrylics. Dries up to a clear, matt film.

Watercolors granulation fluid is a special liquid medium that gives an irregular, mottled or grainy appearance to watercolor paints, the pigments of which usually create smooth surfaces. Adding a granulating medium to paints with pigments that are already granulating will further enhance this effect. For more expressive granulation, it is best to use fluid-medium instead of water and paint on rough paper. A softer effect will be obtained on hot press paper with a satin finish. It is recommended to paint horizontally.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Natural medium based on acacia honey, suitable for increasing the gloss and intensity of watercolour paints. It promotes the "granulation" effect, prolongs the drying of the paint and increases elasticity. We recommend to use rather smaller quantities, the ideal ratio must be tested according to the type of colour and the desired consistency.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Impasto can be mixed with any pigment to obtain any watercolor color. It also acts as a thickener for tubed watercolor paints. It limits color flow and improves gloss. It increases the adhesion of lightweight collage materials such as textiles, silk, paper, pigments, and sand. The collage effect weakens with greater dilution. Impasto remains water-soluble.

Adhesion promotor for collages with water-colours. Strew or press light materials like textiles, silk paper, pigments or sand into the wet medium. Remains water-soluble like a water-colour. May be used pure or tinted with water-colours. HINT: the product mixed with AQUA fix becomes waterproof.

Medium for water-colours. Increases the water resistance of the colour: avoids dissolving of the colour when painted in several layers and allows more possibilities for transparent painting. To be used for water-colour painting instead of water. Clean brush and palette thoroughly with water and soap immediately after use.