Painting

A transparent, light-resistant and non-aging primer for oil and acrylic colours and pastel with slightly absorbent character. Forms an elastic, matt, slightly rough film after drying. Transparent primer is ready to use, but can be diluted with max. 10% of water.

A white, light-resistant and non-aging, even primer for working with water-colours on greaseless surfaces like linen canvas, card board or wood. Forms an elastic, matt, even film after drying. AQUA watercolour ground, fine is ready to use and should be applied in minimum 3 layers on the ground. If been diluted with water (max. 10%) you have to apply more layers.

The transparent primer allows watercolour painting on grease-free surfaces such as canvas, painting boards, wood as well as on acrylic paintings in which the surface remains visible - in comparison to the existing white watercolour ground, fine - and provides for especially creative options. The watercolour ground, transparent forms an even, matt, elastic and age resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Thinner: Water

A transparent, colourless, light-resistant and nonaging primer for working with AERO COLOR® Professional on non-absorbent surfaces such as plastics and metal. Improves the adhesion properties. AERO GRUND is ready to use. After drying sand down finely and – if necessary – repeat this process.

Pasty medium for oil colours. Suitable for prima- and putty-knife painting technique. Preserves the natural tone and buttery character of an oil colour; accelerates drying and supports the through drying of thicker oil layers. There is no change of the product quality based on the colour change of the raw material stand oil. Dosage: 10 to max. 30%

Very fast drying medium for oil colours. Especially recommended for prima painting, transparency painting, and also for the application of upper colour layers on already dried layers; increases gloss and transparency. Quick application is necessary as the mixture dries fast on the pallet. Close immediately after use. Dosage: 10 to max. 20%.

Liquid medium for mixing oil colours with water instead of turpentine or turpentine substitute. Increases gloss and transparency; harmonizes drying process; odourless. Shake before use. Mix 2 parts of oil colour and 1 part of medium W on a palette, than add water like you want; if necessary add more medium W. Painting tools can be cleaned with water. There is no change of the product quality based on the color change of the raw material alkyd resin. Dosage: 50%.

Slightly thinner than Liquin or other Alkyd gel mediums, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Alkyd flow medium reduces drying time.

A “neutral”, nearly non-yellowing painting- and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough); has only a low impact on drying time. For dilution use terpin (max. 30%). Dosage: 10 to max. 20%.

Watercolors granulation fluid is a special liquid medium that gives an irregular, mottled or grainy appearance to watercolor paints, the pigments of which usually create smooth surfaces. Adding a granulating medium to paints with pigments that are already granulating will further enhance this effect. For more expressive granulation, it is best to use fluid-medium instead of water and paint on rough paper. A softer effect will be obtained on hot press paper with a satin finish. It is recommended to paint horizontally.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Natural medium based on acacia honey, suitable for increasing the gloss and intensity of watercolour paints. It promotes the "granulation" effect, prolongs the drying of the paint and increases elasticity. We recommend to use rather smaller quantities, the ideal ratio must be tested according to the type of colour and the desired consistency.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Impasto can be mixed with any pigment to obtain any watercolor color. It also acts as a thickener for tubed watercolor paints. It limits color flow and improves gloss. It increases the adhesion of lightweight collage materials such as textiles, silk, paper, pigments, and sand. The collage effect weakens with greater dilution. Impasto remains water-soluble.

Adhesion promotor for collages with water-colours. Strew or press light materials like textiles, silk paper, pigments or sand into the wet medium. Remains water-soluble like a water-colour. May be used pure or tinted with water-colours. HINT: the product mixed with AQUA fix becomes waterproof.

Medium for water-colours. Increases the water resistance of the colour: avoids dissolving of the colour when painted in several layers and allows more possibilities for transparent painting. To be used for water-colour painting instead of water. Clean brush and palette thoroughly with water and soap immediately after use.

Medium for water-colours. Increases gloss and brilliance. Retards drying; remains water-soluble after drying like a water-colour.