Painting

A transparent, light-resistant and non-aging primer for oil and acrylic colours and pastel with slightly absorbent character. Forms an elastic, matt, slightly rough film after drying. Transparent primer is ready to use, but can be diluted with max. 10% of water.

A white, light-resistant and non-aging, even primer for working with water-colours on greaseless surfaces like linen canvas, card board or wood. Forms an elastic, matt, even film after drying. AQUA watercolour ground, fine is ready to use and should be applied in minimum 3 layers on the ground. If been diluted with water (max. 10%) you have to apply more layers.

The transparent primer allows watercolour painting on grease-free surfaces such as canvas, painting boards, wood as well as on acrylic paintings in which the surface remains visible - in comparison to the existing white watercolour ground, fine - and provides for especially creative options. The watercolour ground, transparent forms an even, matt, elastic and age resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Thinner: Water

Pasty medium for oil colours. Suitable for prima- and putty-knife painting technique. Preserves the natural tone and buttery character of an oil colour; accelerates drying and supports the through drying of thicker oil layers. There is no change of the product quality based on the colour change of the raw material stand oil. Dosage: 10 to max. 30%

Very fast drying medium for oil colours. Especially recommended for prima painting, transparency painting, and also for the application of upper colour layers on already dried layers; increases gloss and transparency. Quick application is necessary as the mixture dries fast on the pallet. Close immediately after use. Dosage: 10 to max. 20%.

Very fast-drying additive for oil colours. Provides fast surface drying and even thorough drying. ATTENTION: Add only in drops to the oil colour otherwise colour may darken, stick, wrinkle or even tear off. Dosage: max. 0,1%.

Liquid medium for mixing oil colours with water instead of turpentine or turpentine substitute. Increases gloss and transparency; harmonizes drying process; odourless. Shake before use. Mix 2 parts of oil colour and 1 part of medium W on a palette, than add water like you want; if necessary add more medium W. Painting tools can be cleaned with water. There is no change of the product quality based on the color change of the raw material alkyd resin. Dosage: 50%.

Slightly thinner than Liquin or other Alkyd gel mediums, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Alkyd flow medium reduces drying time.

A “neutral”, nearly non-yellowing painting- and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough); has only a low impact on drying time. For dilution use terpin (max. 30%). Dosage: 10 to max. 20%.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.

Adhesion promotor for collages with water-colours. Strew or press light materials like textiles, silk paper, pigments or sand into the wet medium. Remains water-soluble like a water-colour. May be used pure or tinted with water-colours. HINT: the product mixed with AQUA fix becomes waterproof.

Medium for water-colours. Increases the water resistance of the colour: avoids dissolving of the colour when painted in several layers and allows more possibilities for transparent painting. To be used for water-colour painting instead of water. Clean brush and palette thoroughly with water and soap immediately after use.

Medium for water-colours. Increases gloss and brilliance. Retards drying; remains water-soluble after drying like a water-colour.

Effect medium for water-colours. Allowes sparkling pearlescent effects. Retards drying; remains watersoluble after drying like a water-colour; to be mixed with water-colours or applied pure. Shake before use.

Φυσικό Λινέλαιο ψυχρής έκθλιψης, για την αραίωση χρωμάτων λαδιού χωρίς να χάνουν τη λαμπρότητα και τον στιλπνό ελαστικό τους χαρακτήρα. Προσοχή! Το Linseed oil cold pressed μπορεί να παρουσιάσει καθυστέρηση στο στέγνωμα σε σχέση με το Linseed oil purified.

Especially refined (winterized and bleached) linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil colours.

A clear oil medium to mix with and reduce light colors. Less inclined to yellow than Linseed Oil, but slower drying. Enhances gloss and flow, but too high a proportion prevents the color from thorough drying.