Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.
Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.
Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.
Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.
Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.
Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.
This sketch book is ideal for drawing with pencil, charcol or red ochre. The matural white colour allows good contrast and colour vibrency of the sketches. Acid free and age resitant.
Natural white, acid free, lightfast and extremely age resistant. Finely woven texture, slightly rough, excellent properties for dry and wet painting techniques. The hard surface gives distinct colour flow.
This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.
When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.