Paper sheets & Blocks

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

600 gsm - 100% cotton - surface sized - cold pressed and hot pressed Leonardo is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. The heavy weight of this paper with its smooth, harmonious surface structure offers excellent flow of colour and ensures high brightness. This board is excellent for all watercolour techniques especially wet-in-wet and glazing. It is also suitable for painting techniques such as lavis, gouache, tempera and acrylic.

600 gsm - 100% cotton - surface sized - cold pressed and hot pressed Leonardo is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. The heavy weight of this paper with its smooth, harmonious surface structure offers excellent flow of colour and ensures high brightness. This board is excellent for all watercolour techniques especially wet-in-wet and glazing. It is also suitable for painting techniques such as lavis, gouache, tempera and acrylic.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

The Expression Watercolour is a natural white, 100% cotton 300 gsm paper for all wet painting techniques and etching, and features internal and surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off. Expression Watercolour is acid and lignin free, light-resistant and features extreme longevity. The cold pressed surface is eraser-resistant due to the surface sizing.

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect. Acid free and age resitant. Suitable for painting in oil and acrylic. 10 sheets

Acryl 330 gsm is a white, slightly shiny paper with a subtle linen texture. This paper represents a great medium for pastose paint applications. The slight gloss on the surface is even preserved after the painting. The linnen structure makes for additional painting effects. Even without clamping or wet pre-treatment, the paper remains smooth after painting. This artist paper is acid free and features a high level of longevity. Suitable for both - oil and acrylic painting, 20 sheets.