Sheets

Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.

Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.

Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.

Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.

Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.

The Fabriano Watercolour Studio "Torchon" paper presents a "round" grain that allows obtaining pictorial results of particular effect. The paper is made with a valuable mixture of lignin free cellulose and cotton, it is acid free to guarantee inalterability over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. The sizing, both internally and externally, assures optimal absorption of the colours. Ideal for watercolour, tempera, gouache, acrylic ink and drawing.

The front side of the paper has the structure and charm as well as the flow behaviour of high quality mould-made papers. The reverse side has a matt structure which also offers interesting painting effects. Veneto is available as a block - glued on four sides - as well as in large sheet format* for large-scale works. Natural white, acid-free, lightfast and highly resistant to ageing. *lg = long grain, sg = short grain

Hahnemühle Watercolour 300 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality. The prized cotton papers, Watercolour 300, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques. The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

The Expression Watercolour is a natural white, 100% cotton 300 gsm paper for all wet painting techniques and etching, and features internal and surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off. Expression Watercolour is acid and lignin free, light-resistant and features extreme longevity. The cold pressed surface is eraser-resistant due to the surface sizing.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.

This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.

Made with qualitatively high-level raw material (60% Cotton). Rosaspina is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). The watermark runs parallel to the two larger sides of the sheet and reproduces the Fabriano trademark and logo. The two larger sides are deckled.

Made with qualitatively high-level raw material (60% Cotton). Rosaspina is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). The watermark runs parallel to the two larger sides of the sheet and reproduces the Fabriano trademark and logo. The two larger sides are deckled.

Made with qualitatively high-level raw material (60% Cotton). Rosaspina is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). The watermark runs parallel to the two larger sides of the sheet and reproduces the Fabriano trademark and logo. The two larger sides are deckled.

Created with 100% cotton, this paperboard is indicated for all printmaking techniques (engraving, lithography, silk-screening, xylography and linocuts). It is mould made, size 56x76 with all edges deckled. The watermark is fixed point and placed below right on the sheet. It reproduces the CMF trademark surmounted by a star and enclosed in a circle. In the 7OX100 size the two larger sides are deckled and the watermark runs parallel to them, reproducing the inscription "C. M. FABRIANO 100% COTTON". Tiepolo is pH neutral, assuring inalterability over time.

Xαρτί σχεδίου χωρίς οξέα με εξαιρετικά λεία επιφάνεια. Ιδιαίτερα ανθεκτικό σε επαναλαμβανόμενα σβησίματα. Ιδανικό για κάθε τύπου μαρκαδόρο, gouache, αερογράφο, ακουαρέλα, μολύβι.

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

Fourdrinier made paper with prime quality cellulose pulp, acid free, guaranteeing inalterability over time. Ideal for acrylic, recommended for oil and tempera.

The Fabriano oil painting paper Tela has an internal and external sizing that offers an ideal absorption for oil colours. It is acid free and archival. The unique paper surface, obtained through a specialized texturing process, creates a surface similar to linen canvas. It is recommended for oil painting techniques.

Fourdrinier made paper with prime quality cellulose pulp, acid free, guaranteeing inalterability over time. Ideal for acrylic, recommended for oil and tempera.