Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.
Hahnemühle FineArt has designed a special paper for Japanese sumi-e painting. This very absorbent paper is ideal for "freestyle" brush painting. "sumi" means "black ink" and "e" means both "path" and "painting". The natural white paper creates strong contrasts as the brush glides across the surface. Sumi-e is acid free and extremely age resistant.
Fourdrinier made paper with prime quality cellulose pulp, acid free, guaranteeing inalterability over time. Ideal for acrylic, recommended for oil and tempera.
The Fabriano oil painting paper Tela has an internal and external sizing that offers an ideal absorption for oil colours. It is acid free and archival. The unique paper surface, obtained through a specialized texturing process, creates a surface similar to linen canvas. It is recommended for oil painting techniques.
Fourdrinier made paper with prime quality cellulose pulp, acid free, guaranteeing inalterability over time. Ideal for acrylic, recommended for oil and tempera.