The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.
When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.
90% Bamboo fibre, 10% Cotton rag · cold pressed The ring binder is the latest addition to Hahnemühle’s successful range of bamboo products. It’s a handy companion – for both hobby and professional use – in a landscape format and with practical coil binding. The natural-white artist paper with a unique surface is very well suited for different painting and drawing techniques as well as mixed media techniques. The bamboo paper is environmentally friendly, acid free and features a high longevity level. Contains 10 sheets.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.
The Fabriano oil painting paper Tela has an internal and external sizing that offers an ideal absorption for oil colours. It is acid free and archival. The unique paper surface, obtained through a specialized texturing process, creates a surface similar to linen canvas. It is recommended for oil painting techniques.
Paper produced wilh cotton, "acid free". For technical drawing: its surface is resistant to erasure and abrasion. Its rough surface is ideal far drawing with pen, Indian ink, pastel, carbon and aerograph. The smooth surface is recommended far drawing with Indian ink, pencil and aerograph. The pads are shrink-wrapped individually.
Schizzi paper contains 20% of cotton fibers and is made on a traditional cylinder mould machine. This ancient process replicates the typical characteristics of handmade paper allowing the fibers (cotton and pure alpha-cellulose in the case of Schizzi paper) to spread gently and randomly to form a soft and homogeneous sheet of paper: Schizzi paper is stronger – more resistant to tearing and erasing. Schizzi is of Archival quality (long-life certified), in other words it will age beautifully without turning yellow over time and respecting the color perception of your work. The touch and feel of the paper are unique thanks to the subtle combination of cotton content associated to natural rough surface. Ideal for detailed and rough sketches as well as for creating subtle graduation. You can use Fabriano Schizzi with pencils, charcoals, or even colored pencils.