Natural white, acid free, lightfast and extremely age resistant. Finely woven texture, slightly rough, excellent properties for dry and wet painting techniques. The hard surface gives distinct colour flow.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
Fourdrinier made paper with prime quality cellulose pulp, acid free, guaranteeing inalterability over time. Ideal for acrylic, recommended for oil and tempera.
Acryl 330 gsm is a white, slightly shiny paper with a subtle linen texture. This paper represents a great medium for pastose paint applications. The slight gloss on the surface is even preserved after the painting. The linnen structure makes for additional painting effects. Even without clamping or wet pre-treatment, the paper remains smooth after painting. This artist paper is acid free and features a high level of longevity. Suitable for both - oil and acrylic painting, 20 sheets.
A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect. Acid free and age resitant. Suitable for painting in oil and acrylic. 10 sheets
The Fabriano oil painting paper Tela has an internal and external sizing that offers an ideal absorption for oil colours. It is acid free and archival. The unique paper surface, obtained through a specialized texturing process, creates a surface similar to linen canvas. It is recommended for oil painting techniques.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.Colors:sahara, crema, perla, zabaione, bianco, polvere.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.
Fabriano Accademia drawing paper is made of high quality lignin free and Acid Free cellulose, guaranteeing long conservation over time. FSC® certified from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
Fabriano Accademia drawing paper is made of high quality lignin free and Acid Free cellulose, guaranteeing long conservation over time. FSC® certified from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
Fabriano Accademia drawing paper is made of high quality lignin free and Acid Free cellulose, guaranteeing long conservation over time. FSC® certified from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
Fabriano Accademia drawing paper is made of high quality lignin free and Acid Free cellulose, guaranteeing long conservation over time. FSC® certified from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
Fabriano Accademia drawing paper is made of high quality lignin free and Acid Free cellulose, guaranteeing long conservation over time. FSC® certified from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
The particular grain of the surface and the highly lightfast colours are the principal characteristics of this laid paper. It is acid free and particulary recommended for deluxe editions, advertising (company presentations, posters, calendars, brochures, leaflets and catalogues), fancy paperwork and book binding applications, drawing (pastel, charcoal) and collage.
Perfect for practicing before the first paint stroke, this canvas pad is a great place to begin and experiment. Sinoart Canvas Pads are made with medium textured, genuine cotton, artist quality canvas material that has been acrylic primed, making it ideal for use with acrylic and oil paints, or as a textured drawing surface for use with pastels, charcoal and chalk.