Protective lacquer for paintings with AERO COLOR® Professional. Glossy; colourless; elastic; non-yellowing; dilutable with water, but forms rather quickly a water-resistant film. Also an ideal primer if diluted 1:1 with water and a final sealant for working with AERO COLOR® Professional on leather.
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.
Used to create striking white highlights or areas for overpainting at a later stage. Forms a fast-drying, water-resistant film on watercolour paper and board, easily removed when dry by rubbing with an eraser, soft tissue or cotton bud. An old brush, pen or cotton bud should be used to apply the Masking Fluid as it is extremely difficult to remove from brushes when dry.
Milky medium without binding agents to be added to AERO COLOR® Professional to increae opacity. The full effect of opacity appears while drying, especially visible on dark grounds. The opacity depends on the amount of added medium (max. 50%) from no up to a little brightening. Not to be udes on its own. Pre-mix with the colour in a little container. To be used in spray guns (nozzle size min. 0,15 mm) LINERS and brushes.
Very effective final fixative for charcoal and pencil made of bleached shellac and non-yellowing, synthetic resin based on alcohol. Fast drying; also suitable for pastels if used sparingly (HINT: Due to higher resin content stronger fixation than pastel fixative, but also might increase more the intensity of colour!)
Working with Schmincke’s finest extra soft pastels will give you a completely unique drawing experience. They have an incredibly high concentration of top quality pigment powder held together by the absolute minimum amount of binding agent - just enough to ensure that they remain a stable compound. Unlike many pastels on the market they also do not contain chalk or additives which helps keep their colouration pure and consistent throughout each pastel. This stripped back recipe results in such soft pastels that Schmincke had to design a costly and time consuming manufacturing process to stop them breaking. Each lump of pre-kneaded pastel dough is rolled into rounded skeins which are sectioned by hand and laid onto a sheet. The skeins are then cut by hand with a wire-strung frame and transferred onto wooden palettes where they are left to dry for around 2 weeks. By this time they are so soft that they need to be wrapped by hand and gently placed in their foam packaging.Contains 10.