Hahnemuhle

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

The Expression Watercolour is a natural white, 100% cotton 300 gsm paper for all wet painting techniques and etching, and features internal and surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off. Expression Watercolour is acid and lignin free, light-resistant and features extreme longevity. The cold pressed surface is eraser-resistant due to the surface sizing.

Hahnemühle Ingres Pastel offers pastel artists the perfect surface. Designed for this specific artistic technique, the Ingres Pastel 100 gsm paper has fine ridges and a slightly rough surface. It allows even colour adherence without using a lot of pressure, producing precise and colour-intensive results. Thanks to the exclusive use of high-quality pigmented colours in the production of this paper, Ingres Pastel boasts exceptional lightfastness. It is ideal for pastels, pencils and red chalk.Hahnemühle Ingres Pastel is available as a pad in white or nine different shades. The sheets are available in 9 shades ( see the picture ). Hahnemühle Ingres Pastel is acid-free and age-resistant. Contains 20 sheets.

Hahnemühle Ingres Pastel offers pastel artists the perfect surface. Designed for this specific artistic technique, the Ingres Pastel 100 gsm paper has fine ridges and a slightly rough surface. It allows even colour adherence without using a lot of pressure, producing precise and colour-intensive results. Thanks to the exclusive use of high-quality pigmented colours in the production of this paper, Ingres Pastel boasts exceptional lightfastness. It is ideal for pastels, pencils and red chalk.Hahnemühle Ingres Pastel is available as a pad in white or nine different shades. The sheets are available in 9 shades ( see the picture ). Hahnemühle Ingres Pastel is acid-free and age-resistant. Contains 20 sheets.

A fine, soft drawing paper with high volume. The fine matt surface structure allows for an even colour application. The natural white paper help to ensure the colours look soft and unencumbered. Suitable for all dry-painting techniques. The pads are available glued on top or spiral bound with micro perforation. In both cases, once removed from the pad, the sheets conform to the exact specified format size. Acid free and with high longevity.

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect. Acid free and age resitant. Suitable for painting in oil and acrylic. 10 sheets

Hahnemühle Expression is a natural white paper for all wet painting techniques. It consists of 100% cloth - i.e., cotton fibers - and therefore belongs in the same league as particularly high-quality papers. On its glued surface, colors appear brilliantly; wet colors are absorbed only slowly. Therefore, for a short time, you can remove it and correct it again. The matte watercolor paper can withstand frequent erasing and its pick resistance ensures that paper fibers do not detach from the surface even when wet. You can remove masking media and scratch crepe without residues even after a long time. Its surface is matte, so only slightly irregular surface delicate representations and fine details come into their own. If you work wet-on-wet, the colors are radiantly even and more controlled than on rougher papers. The block is glued on all four sides so that its remains flat even when wet. But don't separate the painted sheet until the colors have completely dried.

Thread stitching makes for a solid binding and good flatness of the sheets. This also makes sure that double sided sketches and drawings across the fold too can be created without any problems. With an anthracite-coloured cover featuring a linen structure, the book is hard-wearing and nice to the touch. Every book features 40 sheets / 80 pages. The heavy, natural white paper feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured draw. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity. Sketch book with anthracite cover 190 gsm natural white sketch paper 40 sheets / 80 pages

Thread stitching makes for a solid binding and good flatness of the sheets. This also makes sure that double sided sketches and drawings across the fold too can be created without any problems. With an anthracite-coloured cover featuring a linen structure, the book is hard-wearing and nice to the touch. Every book features 40 sheets / 80 pages. The heavy, natural white paper feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured draw. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity. Sketch book with anthracite cover 190 gsm natural white sketch paper 40 sheets / 80 pages