Granulation medium Renesans, 100ml

Supergranulating colours are watercolours with a special property: the combination of at least 2 granulating HORADAM® pigments intensifies this effect to "supergranulation". The colours are formulated with pigments from different colour ranges, resulting in additional colour changes besides the granulation effect. For example, the shade "Deep Sea Indigo" (14 952) is a combination of violet and green pigments, while "Glacier Brown" (14 965) contains a brown and a green pigment. This novel, natural structure formation of the colours varies depending on the paper and the amount of water used. The rougher the paper, the stronger the granulating effect. The 40 supergranulating colours are divided into 8 thematic series of 5 colours each: Deep Sea, Glacier, Galaxy, Forest, Tundra, Volcano, Shire and Desert. The colours are available in half pans. All supergranulating HORADAM® AQUARELL colours have exclusively 4 and 5 stars lightfastness and contain only pigments already known from HORADAM®. The opacity of the colours is predominantly semi-transparent / semi-opaque. All supergranulating colours can be used on their own and perfectly in combination with all 139 HORADAM® AQUARELL watercolours as well as all AKADEMIE® Aquarell watercolours.

Graphite oil for graphic techniques. Particularly suitable for gravure printing of copper, stalactite, dry needle, mezzotine etching, aquatint or vemis mou. Used to dilute the ink cartridges and reduce their consistency. Increases the drying time of the ink.

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.

Fourdrinier made paper with prime quality cellulose pulp, acid free, guaranteeing inalterability over time. Ideal for acrylic, recommended for oil and tempera.