Ιcon Painting

Ketone, colorless varnish based on alcohol for protecting silver in petals or silver jewelry. It gives the obbject made of gypsum the effect of porcelain. Lustrina has a protective function and protects against abrasion

Liquid protective varnish obtained from pure dewaxed shellac. Clear and transparent, used as varnish for painted surfaces, wooden objects, musical instruments, gilding etc. To use it to isolate the surface the varnish should be mixed at a ratio of 1 part of liquid shellac to 2 parts of alcohol.

Varnish obtained from pure shellac is used as a protective varnish.

Protective lacquer for paintings in acrylic. Μatte, clear; colourless; non-yellowing; age-resistant; dilutable with slovent of turpentine, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Protective lacquer for paintings in acrylic. Μatte, clear; colourless; non-yellowing; age-resistant; dilutable with slovent of turpentine, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Final satin-matt varnish with UV-protector for several painting techniques (e.g. oil. acrylic, gouache; also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month; drying time for thin acrylic coulours: approx. 3 days, for thicker acrylic layers: approx. 1 – 2 weeks; drying time for gouache: approx. 1 day).

Synthetic resin varnish 50585 Final varnish for paintings in acrylic. Glossy, colourless; non-yellowing; age-resistant; fast drying. Thinner: Turpentine substitute (50019)

Synthetic resin varnish 50585 Final varnish for paintings in acrylic. Matt, colourless; non-yellowing; age-resistant; fast drying. Thinner: Turpentine substitute (50019)

gold paste, ideal for restoring gold-plated items and for authentic gold. Contains beeswax and high quality mineral minerals. The paste can be used on many different surfaces and especially wood, plastic and metal giving them a permanent metal face, while being very resistant to time wear It is ideal for decoration and transformations into frames and for the restoration of gilded objects whose gold has been worn out. Apply the paste with a cotton cloth, your finger or a brush and let it dry for 24 hours. Then polish the surface with a cloth.

Λεπτοαλεσμένη μεταλλική χρωστική σε σκόνη, κατάλληλη για επίχρυσωση και για ανάδειξη των ραγισμάτων του κρακελέ. Αναμιγνύεται με χολή βοδιού ή με ακρυλική κόλλα.

Λεπτοαλεσμένη μεταλλική χρωστική σε σκόνη, κατάλληλη για επίχρυσωση και για ανάδειξη των ραγισμάτων του κρακελέ. Αναμιγνύεται με χολή βοδιού ή με ακρυλική κόλλα.