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Sharpie Creative Acrylic Markers for painting on light or dark surfaces, ideal for materials such as metal, wood, ceramics, glass, stone, canvas and more. Water-based ink does not bleed through the paper, keeping your lines tight. Bright colors allow you to make vivid creations on light and dark surfaces on paper, metal, wood, ceramics, glass, stone and canvas. Colors can easily be layered to give your work more depth. Plus, you don't have to shake them - just pop the lid off and get started! Packaging 5 Colors.

Υγρή φυσική πίσσα της Renesans σε σωληνάριο των 60 ml. Αυτό το υδατοδιαλυτό προϊόν έχει υφή παρόμοια με το χρώμα ακουαρέλας (με βάση το αραβικό κόμμι). Μπορεί να εφαρμοστεί με πινέλο ή σπάτουλα όπως το χρώμα ακουαρέλας. Επίσης μπορεί να συνδυαστεί με μελάνια, ακουαρέλες και άλλες μορφές κάρβουνου. Στεγνώνει σε ματ φινίρισμα και χάρη στις χρωστικές ουσίες δημιουργεί ενδιαφέροντα κοκκώδη εφέ.

Graphite in tube. It was made from ground graphite and gum arabic. Graphite has a slightly cooler shade of black than liquid carbon and does not granulate as much. Water-soluble graphite allows you to produce work with an effect similar to water-based paint. The graphite particles are slightly larger than other pigments used in watercolor. When dry, the graphite is matte.

This crystal clear fixative suits as a fixative for pencil, charcoal, pastels, watercolours, ink, tempera, photos, prints, acrylic and oil colours. Due to the well-known acrylic resin Paraloid® B72 (often used in restoration) it has tightening and protecting characteristics and is also suitable as final varnish. It is highly lightfast, age-resistant and non-yellowing. Depending on the painting surface you will achieve an invisible fixation (on absorbent surfaces) or a semi-matt/ slightly glossy film (on non-absorbent surfaces). AEROSPRAY B72 has to be sprayed for several times from a distance of 30 - 40 cn from left to right and top to bottom (only in well-ventilated rooms). It contains solvents and must not be inhaled.

Varnish for technical water-colour proceedings. Protects against dust and humidity. Glossy; colourless; non-yellowing; very fast drying; based on alcohol. (Attention: don´t mix with varnishes based on mineral spirit; brushes to be cleaned with alcohol; intensifies colour tones and increases transparency of watercolour papers!) For fixator/atomizer!

Pilgrim Traveler's Notebook - 272 pages, different types of paper inside, soft cover in Lamali Lokta, black silk tie and leather amulet - size : approx. 16x21cm - Handmade in Nepal

Pilgrim Traveler's Notebook - 272 pages, different types of paper inside, soft cover in Lamali Lokta, black silk tie and leather amulet - size : approx. 16x21cm - Handmade in Nepal

Pilgrim Traveler's Notebook - 272 pages, different types of paper inside, soft cover in Lamali Lokta, black silk tie and leather amulet - size : approx. 16x21cm - Handmade in Nepal

Pilgrim Journal Prairie - 16x21cm approx. - 272 pages. Silk tie and leather amulet. Lokta paper softcover, screen-printed in one color. Handmade in Nepal. With its pages of different papers and its large colored Lokta sheets, this generous notebook is ready for many journeys: poetry, graphic design, collages...

Pilgrim Journal Prairie - 16x21cm approx. - 272 pages. Silk tie and leather amulet. Lokta paper softcover, screen-printed in one color. Handmade in Nepal. With its pages of different papers and its large colored Lokta sheets, this generous notebook is ready for many journeys: poetry, graphic design, collages...

This Travel Brush is made of a high-quality mixture of synthetic and natural bristles. The pocket brush will be perfect for painting outdoors and while traveling. The brush bristles are hidden in a metal, foldable housing, which perfectly protects them against damage. The cap can be placed on the brush body to extend it. The brush is made of a mixture of natural and synthetic bristles (squirrel imitation).

The 3 liquid earths are formulated based on natural pigments mined regionally in Germany. They are a fantastic liquid addition or alternative to traditional drawing materials, such as pencils or carré sticks. Liquid chalk – 18 850 Liquid sanguine – 18 854 Liquid umber – 18 852

Powdered mica - 55x75cm - approx. 100 g/m² - embossed cotton paper & mica powder - handmade

Collector Rhizome – 50x75cm approx. - Fine Lamali Lokta paper (approx. 60 GSM), deckle edged, Silkscreen printed with 1 color - Handmade in Nepal.

Bamboo Forest - 50x75cm approx. - Thin Lamali Lokta paper (approx. 60 GSM), deckle edged, Woodblock printed with 3 colors - Handmade in Nepal.

This round sponge is a perfect match for art and painting. It can be used with acrylic, oil, watercolor, pottery, clay, fabric paint and dyes; also can be used for automobile waxing, polishing and maintenance, tire, spread glaze, sealant.The high-density craft sponges is soft, elastic, and absorbent, and can be cut to size according to your needs.

Screen printing medium is ready to use and is best added to water-based paints (acrylics or gouaches) in a ratio of 10-50%, depending on the desired consistency. The drying time is extended depending on the amount added: with an addition of approx. 20 %, the drying time is extended by approx. 70 %. There is no change in colour value with the specified quantity ratio. The product cannot be used pure! The product can be diluted with water. Please clean tools with water or water and soap. Please don´t use the product below temperatures under 10 °C object- and room-temperatures. Close immediately after use. Store in a cool and dry place. Protect from frost. Individual pre-tests are required

This pump-spray creates granulation effects in non-granulating watercolours. Spray with the fine atomizer into the still wet watercolour areas to be treated. The pigments there will quickly flocculate. As only a few of the HORADAM® watercolour are originally granulating (marked with a "G" in the colour chart), this medium helps to create a granulation effect for all colours. For already granulating colours the effect will be intensified. Due to the fine atomizer also small areas within a painting can be treated.

Pasty final varnish for paintings in oil made from best white Palembang dammar and beeswax. May only be applied by ball of the thumb or with a lint-free cloth at room temperature to the layer of oil paint after it has dried completely, i.e. after 8 - 12 month at the earliest. After the layer has completely dried (approx. 24 hours) the initial matte varnish becomes satin-glossy by carefully polishing with a soft brush. Contains beeswax, dammar, white spirit.

All purpose transparent glue 50 ml transparent after hardening and rather thin fluid 50 ml is sufficient for 0.15 - 0.3 m² for supports made out of wood, MDF, glass, terra cotta e.g. conditionally suitable for outdoor use suitable for almost all mosaic tesserae except acrylic mosaic recommended for flat and smooth surfaces

Sari Small - Journal 9x12cm approx. - 100 pages of 100% handmade cotton paper. Textile on cover. Handmade in India.

Sari Small - Journal 15x21cm approx. - 100 pages of 100% handmade cotton paper. Textile on cover. Handmade in India.

Flibuste Journal 12.5x16.5cm approx. – Paper cover. 200 sewn pages of handmade rag paper: 100% cotton, bistre color. Handmade in India. The handmade paper is made by hand, using the traditional frame method • Pure Rag • Made from 100% cotton fibers, obtained from the recycling of textile scraps from local industries •

Qumran Notebook - 15x21cm Journal - 80pages of sewn 200GSM thick paper - 100% cotton rag handmade paper. Handmade in india. With it's thick and deckle edge paper it is an ideal support for dry and slightly wet techniques.

Frégate Leather Journal 13x17.5cm approx. – Leather cover. Rechargeable inside, 200 sewn pages of handmade rag paper: 100% cotton, bistre color. Handmade in India. • Pure Rag Paper • Made from 100% cotton fibers, obtained through the recycling of textile scraps from local industries •

Segment Notebook 21x21cm approx. – 72 deckle-edged pages of handmade rag paper, 100% cotton, handmade, white. Paper cover worked with cotton threads. Handmade in India.

* Coated paper * Pure rag paper *Made from 100%cotton fibers obtained by recycling textile offcuts Note: Kintsugi is a Japanese art form in which broken pottery is repaired with laquer mixed with gold, emphasizing cracks rather hiding them.

Liasse Trésor - 15x21cm env. - 84 pages of white paper, 100% cotton rag, handmade. It's cover is printed and than highlighted by hand with golden dots. Handmade in India.