This round sponge is a perfect match for art and painting. It can be used with acrylic, oil, watercolor, pottery, clay, fabric paint and dyes; also can be used for automobile waxing, polishing and maintenance, tire, spread glaze, sealant.The high-density craft sponges is soft, elastic, and absorbent, and can be cut to size according to your needs.
Synthetic brush, short handle, caffe-latte color. Modern synthetic bristles imitating natural ones in the shape: flat, rounded. Soft and resistant. Universal brushes designed for all paints and many decorating techniques.
Synthetic brush, short handle, caffe-latte color. Modern synthetic bristles imitating natural ones in the shape: flat, angle. Soft and resistant. Universal brushes designed for all paints and many decorating techniques.
Synthetic brush, short handle, ocher color. Modern synthetic bristles imitating natural ones in the shape of the tip: flat, straight cut. Soft and resistant. Universal brushes designed for all paints and many decorating techniques.
Indian Ink 1912 is a high-quality drawing ink that is perfect for drawing, painting and writing. Based on the historic Schmincke formulas from 1912, also known as "Chinese ink", it offers deep black, absolutely lightfast, waterproof and document-proof characteristics. The ink is characterized by its fluid consistency, which makes it perfect for writing, painting and drawing with various nibs and brushes. The neutral deep black (made from the pigment Pbk7) on a natural basis can be used both pure and diluted with water on smooth, satinised papers such as drawing papers. It dries to a silky gloss finish that makes the artwork particularly appealing. Indian Ink 1912 is available in round glass pipette bottles, each containing 28 ml, as well as in larger 250 ml plastic bottles.
Screen printing medium is ready to use and is best added to water-based paints (acrylics or gouaches) in a ratio of 10-50%, depending on the desired consistency. The drying time is extended depending on the amount added: with an addition of approx. 20 %, the drying time is extended by approx. 70 %. There is no change in colour value with the specified quantity ratio. The product cannot be used pure! The product can be diluted with water. Please clean tools with water or water and soap. Please don´t use the product below temperatures under 10 °C object- and room-temperatures. Close immediately after use. Store in a cool and dry place. Protect from frost. Individual pre-tests are required
Final varnish for acrylic painting based on high-quality acrylic resin. ----------------------------------------------------------------------------------------------- The product is ready to use but can be diluted with water if necessary Apply quickly with a suitable varnish brush at room temperature only to a completely dry paint layer (after about 3 days for thinly applied acrylic paints and 1 to 2 weeks for impasto paints). If possible, only apply to slightly absorbent substrates; on absorbent substrates, the varnish may sink in and require repeated application. [Caution! The first layer of varnish will be dissolved again when a second layer is applied]. Clean tools with soap and water immediately after use. The usual layer thickness of varnish has no significant influence on the UV resistance of the paint layer. We therefore strongly recommend working with high-quality, lightfast acrylic paints right from the start. Close the container immediately after use. Store in a cool, dry place and protected from frost Not recommended for exterior use Individual pre-tests are recommended
Final varnish for acrylic painting based on high-quality acrylic resin. ----------------------------------------------------------------------------------------------- The product is ready to use but can be diluted with water if necessary Apply quickly with a suitable varnish brush at room temperature only to a completely dry paint layer (after about 3 days for thinly applied acrylic paints and 1 to 2 weeks for impasto paints). If possible, only apply to slightly absorbent substrates; on absorbent substrates, the varnish may sink in and require repeated application. [Caution! The first layer of varnish will be dissolved again when a second layer is applied]. Clean tools with soap and water immediately after use. The usual layer thickness of varnish has no significant influence on the UV resistance of the paint layer. We therefore strongly recommend working with high-quality, lightfast acrylic paints right from the start. Close the container immediately after use. Store in a cool, dry place and protected from frost Not recommended for exterior use Individual pre-tests are recommended
This pump-spray creates granulation effects in non-granulating watercolours. Spray with the fine atomizer into the still wet watercolour areas to be treated. The pigments there will quickly flocculate. As only a few of the HORADAM® watercolour are originally granulating (marked with a "G" in the colour chart), this medium helps to create a granulation effect for all colours. For already granulating colours the effect will be intensified. Due to the fine atomizer also small areas within a painting can be treated.
Pasty final varnish for paintings in oil made from best white Palembang dammar and beeswax. May only be applied by ball of the thumb or with a lint-free cloth at room temperature to the layer of oil paint after it has dried completely, i.e. after 8 - 12 month at the earliest. After the layer has completely dried (approx. 24 hours) the initial matte varnish becomes satin-glossy by carefully polishing with a soft brush. Contains beeswax, dammar, white spirit.
Mosaic glue - water soluble, removable glue, especially for mosaic using indirect method 100 ml is sufficient for 0.5 - 1,0 m² H0076 - 25 ml, H0077 - 100 ml
Mosaic glue - water soluble, removable glue, especially for mosaic using indirect method 100 ml is sufficient for 0.5 - 1,0 m² H0076 - 25 ml, H0077 - 100 ml
Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface.
Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface.
Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Acid free. For watercolour and all painting and drawing media.
Watercolour painting sends its greetings – with this watercolour postcard pad. Individualists and creative souls now have free reign. Greeting cards, holiday impressions, invitations and much more can be painted on the Hahnemühle postcard pad and sent by post. The pad is provided with high quality Hahemühle watercolour board “Burgund” 250 gsm, natural white, acid free and extremely resistant to ageing. The reverse side is a pre-printed postcard. Size 10,5 x 21cm
SINOART X-Soft Oil Pastel set available in 24 colors. These pastels are meticulously crafted using a blend of high-quality mineral oil, wax, and professional-grade pigments, offering artists a rich, creamy texture and gentle yet vibrant hues. The Extra Soft(X-Soft) Oil Pastels are fade-resistant, waterproof, and non-toxic. Ideal for both professional artists and enthusiasts.
Deluxe soft rubber or silica with heavy steel frame, plastic handle Material: soft rubber 40/42 durometer roller, ideal for inking blocks or carved surfaces for printmaking.Ideal for polymer clay rolling, embossing. One-piece metal handle. Produces smooth and complete coverage. Perfect for classroom or home use. This product is used for arts and craft work.
Deluxe soft rubber or silica with heavy steel frame, plastic handle Material: soft rubber 40/42 durometer roller, ideal for inking blocks or carved surfaces for printmaking.Ideal for polymer clay rolling, embossing. One-piece metal handle. Produces smooth and complete coverage. Perfect for classroom or home use. This product is used for arts and craft work.