Painting

Linseed oil boiled with oil-soluble siccatives. A little more yellowing than linseed oil and stand linseed oil; dries faster than linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil and tempera colours.

Bleached poppy oil. Less yellowing than linseed oil; slower drying than linseed oil varnish, linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of white oil colours. Attention: Use only sparingly and always in combination with sunflower- or linseed oil!

Binder for own production of water-colours and gouache colours. Dilutable with water; dries to a wiping resistant film, but remains water-soluble. Improves adhesion of undercoats when added to Schmincke water-colours and gouache colours; increases gloss, transparency and intensity of colours.

Natural Palembang-dammar. Selected very light pieces. For own production of oil painting mediums, tempera-emulsions and varnishes. Soluble in oil of turpentine and turpentine substitute.

Ready-to-use binder for easy grinding of translucent water-colours in combination with Schmincke pure artists´ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.

Τερεβινθέλαιο, φιλτραρισμένο και ραφιναρισμένο για την αραίωση λαδιών, βερνικιών και ρητινών.

Mixture of solvents with similar properties to turpentine oil (50024, 50102). Gentle odour. Thinner for oil colours, oil panting mediums and varnishes based on mineral spirit; not mixable with varnishes based on alcohol; solvent for dammar resin, but not for mastic resin.

Reviver to restore brittle and dull oil-colour layers which have been through dried over a long period. Works more efficient than oil of turpentine or turpentine substitute (50019). Rub in the medium sparingly (!) with a soft lint-free cloth until original brightness is regained. The necessary penetration time depends on the hardness of the colour layers. On principle: as short as possible. Remove the medium carefully from the surface with oil of turpentine or turpentine substitute . Follow-up treatment with final or picture varnish is recommended (please wait some weeks until the picture layers has been consolidate.

Product works more efficient than oil of turpentine (50024, 50102) or turpentine substitute (50019). Apply varnish remover with a soft lint-free cloth to a small area; moisten the varnish with lightly (!) rotary motions and take it off carefully with the cloth. Observe the softening process of the colour layer. Pre-tests before use!

Final fixative to protect water-colour paintings from humidity and dust based on alcohol. Colourless; non-yellowing, age-resistant; fast drying. (Hint: May increase transparency of water-colour papers!)

Final varnish with UV-protector for several painting techniques (e.g. oil. acrylic, gouache; also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month; drying time for thin acrylic coulours: approx. 3 days, for thicker acrylic layers: approx. 1 – 2 weeks; drying time for gouache: approx. 1 day).

It is used to speed up the oil paint drying time, must be added in small amounts to the paint before its application. The overuse of the drier can cause a painting peeling, bright loss and paint fixation problems

Speeds up the drying time, keeping the paint bright and consistent. Improves the flexibility and the spreading, making cut and transparency.

Intermediate varnish for painting in oil. Colourless; non-yellowing; very fast drying; might soften justdried oil colours; should not be used in layers with other final based on mineral spirit (tends to dull!); not suitable as a final varnish; might not be diluted with turpentine substitute (50019); the dried varnish layer remains soluble in alcohol.

Final varnish for paintings in oil made from best white Palembang-dammar. Glossy; hardly yellowing; fast drying.

Final varnish for paintings in oil made from best white Palembang-dammar. Μatt; hardly yellowing; fast drying.

Final varnish for paintings in oil. Glossy; colourless; very elastic; hardly yellowing; fast drying.

Gloss varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month).Elastic,Non-yellowing, non ageing.