Painting

A transparent, light-resistant and non-aging primer for oil and acrylic colours and pastel with slightly absorbent character. Forms an elastic, matt, slightly rough film after drying. Transparent primer is ready to use, but can be diluted with max. 10% of water.

Pasty medium for oil colours. Suitable for prima- and putty-knife painting technique. Preserves the natural tone and buttery character of an oil colour; accelerates drying and supports the through drying of thicker oil layers. There is no change of the product quality based on the colour change of the raw material stand oil. Dosage: 10 to max. 30%

Very fast drying medium for oil colours. Especially recommended for prima painting, transparency painting, and also for the application of upper colour layers on already dried layers; increases gloss and transparency. Quick application is necessary as the mixture dries fast on the pallet. Close immediately after use. Dosage: 10 to max. 20%.

Very fast-drying additive for oil colours. Provides fast surface drying and even thorough drying. ATTENTION: Add only in drops to the oil colour otherwise colour may darken, stick, wrinkle or even tear off. Dosage: max. 0,1%.

Liquid medium for mixing oil colours with water instead of turpentine or turpentine substitute. Increases gloss and transparency; harmonizes drying process; odourless. Shake before use. Mix 2 parts of oil colour and 1 part of medium W on a palette, than add water like you want; if necessary add more medium W. Painting tools can be cleaned with water. There is no change of the product quality based on the color change of the raw material alkyd resin. Dosage: 50%.

Slightly thinner than Liquin or other Alkyd gel mediums, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Alkyd flow medium reduces drying time.

A “neutral”, nearly non-yellowing painting- and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough); has only a low impact on drying time. For dilution use terpin (max. 30%). Dosage: 10 to max. 20%.

Creamy painting medium for “soft” painting with acrylic colours. Retards drying; increases gloss and transparency. Simplyfies colour flows and colour transitions; creates paintings with acrylic colours surfaces similar to oil colours. Mixing ratio: max 1:1.

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

A gently flowing medium for acrylic colours. Forms a clear and glossy film; retards drying; increases gloss and transparency; optimizes adhesive properties. Ideal for large surfaces.

An extra light acrylic paste with a firm, very heavy consistency. Dries up to a white, matt, even surface with a stronger absorbent character. Ideal for structural effects also on flexible substrates, e.g. canvas. The low weight of this paste makes it ideal for large surfaces. Dries quicker than the other acrylic pastes.

A transparent pastose gel that adds a glossy finishing when blend 1:1 with acrylics. Dries up to a clear, glossy film.

A transparent pastose gel that adds a matt finishing when blend 1:1 with acrylics. Dries up to a clear, matt film.

Φυσικό Λινέλαιο ψυχρής έκθλιψης, για την αραίωση χρωμάτων λαδιού χωρίς να χάνουν τη λαμπρότητα και τον στιλπνό ελαστικό τους χαρακτήρα. Προσοχή! Το Linseed oil cold pressed μπορεί να παρουσιάσει καθυστέρηση στο στέγνωμα σε σχέση με το Linseed oil purified.

Especially refined (winterized and bleached) linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil colours.

A clear oil medium to mix with and reduce light colors. Less inclined to yellow than Linseed Oil, but slower drying. Enhances gloss and flow, but too high a proportion prevents the color from thorough drying.

Linseed oil boiled with oil-soluble siccatives. A little more yellowing than linseed oil and stand linseed oil; dries faster than linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil and tempera colours.

Bleached poppy oil. Less yellowing than linseed oil; slower drying than linseed oil varnish, linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of white oil colours. Attention: Use only sparingly and always in combination with sunflower- or linseed oil!