Paper sheets & Blocks

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing. The surface is cold press.

DiaryFlex, the individual notebook by Hahnemühle that features interchangeable and replaceable content inserts. Several varieties of inserts including plain, ruled and dotted are available. No matter if used as a sketchbook or a notebook: the 160 pages offer enough room for all of your thoughts and ideas. The natural white 100gsm paper is perfectly suited for fountain pens, pens, fine-liners or pencils. The cover is classically exclusive and robust at the same time and also protects the contents of DiaryFlex perfectly. Even when you've filled your DiaryFlex with your creative thoughts and ideas, there is no need to say farewell. You can fill again and again with the various replacement booklets on offer. Just pull the note booklet out of the cover and replace with either a plain, ruled or dotted pack.

Hahnemühle FineArt has designed this special paper for Japanese Sumi-e painting. This very absorbent paper is ideal for “freestyle” brush painting. “Sumi” means “black ink” and “e” means both “path” and “painting”. The style of brush painting is both a simple and yet highly aesthetic drawing made of powerful, mostly chasing and rapidly executed lines. Patience and inner harmony are essential in brush painting to capture the spirit of the subject. Sumi-e is therefore not only an Asian painting technique but also a form of spiritual relaxation therapy. Sumi-e painting evolved in the 5th century from Chinese calligraphy. The main subjects are taken from nature. In the 12th century Zen monks brought the technique to Japan where even today Sumi-e painting has a decisive influence on lifestyle. 20 sheets - 80gsm.

116 pages of ivory handmade cotton paper, soft cover - size : approx. 21x21cm - Handmade in India.

Fabriano Artist’s Journal in the “Classic” version, distinguished by its refined navy blue cover. Produced with Ingres laid paper in 2 different lightfast colours: ice and ivory. Ideal for pencil, pastels, charcoal, ink and sketching. The absence of acid guarantees its inalterability over time.

This elegant book is made of Accademia paper 200 g/m2. Ideai far drawing or tempera. The nice texture on the cover is inspired by the modern mosaics present in the San Marco area of Venice. You have the best combination of Italian fine arts style: Venezia and Fabriano.

Drawing hardcover book, 40 black sheets, 190 gsm. Acid free paper, cold press surface. Washable black hard cover, spiral bound. Ideal for pastel, coloured pencils, acrylic colours and scrapbooking.

The smooth sketch paper is well suited for working with Indian ink, fountain pens and acrylic markers as well as other water-based pens with minimum abrasion. Colours stand well on the light-grey, non absorbing surface. Subjects can be laid out from bright to dark and completed by setting white accents. With its unobtrusive figure, the anthracite coloured cover provides the impression of precious wood and touching it feels great. Bound in several layers and thread stitched, all the pages seat solidly and allow the artist to work on two pages, across the centre seam. A red bookmark ribbon completes the premium-quality features. With 40 sheets / 80 pages featuring 120gsm, The Grey Book is slim and an ideal companion if you are on the road or travelling. At the same time, it comes with enough reserves for many subjects. Available in A4 and A5, acid-free and with a high level of longevity.

With its light-brown paper, this sketchbook reminds of a cappuccino with fresh froth. Therefore, it’s the ideal first choice for warm shades of colour. On the restrained background, colours stand out well and shine gently. By setting white accents, you can create wonderful contrasts. The smooth sketch paper, with its closed surface, is perfectly suited for working with Indian-ink pens, fountain pens and acrylic markers, as well as other water-based pens with minimum abrasion. The dark-brown cover of the sketchbook nestles smoothly in your hands. Firm and discreetly grained, it feels like real wood. Bound in several layers and thread-stitched, all the pages sit solidly and allow the artist to work on two pages, across the centre seam. A brown bookmark ribbon completes the premium-quality features. With 40 sheets / 80 pages featuring 120 gsm, The Cappuccino Book is slim and an ideal companion if you are on the road or travelling. At the same time, it comes with enough reserves for many subjects. Available in A4 and A5, acid-free and with a high level of longevity.

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

A fine, soft drawing paper with high volume. The fine matt surface structure allows for an even colour application. The natural white paper help to ensure the colours look soft and unencumbered. Suitable for all dry-painting techniques. The pads are available glued on top or spiral bound with micro perforation. In both cases, once removed from the pad, the sheets conform to the exact specified format size. Acid free and with high longevity.

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect. Acid free and age resitant. Suitable for painting in oil and acrylic. 10 sheets

Fourdrinier made paper with prime quality cellulose pulp, acid free, guaranteeing inalterability over time. Ideal for acrylic, recommended for oil and tempera.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

Ένα φυσικό λευκό χαρτί για όλες τις τεχνικές υγρής ζωγραφικής. Το Harmony Watercolor Το Harmony Watercolor είναι απαλλαγμένο από οξύ, ανθεκτικό στο φως και διαθέτει εξαιρετική μακροζωία. Διατίθεται σε Cold Pressed, Rough and Hot Pressed.

Ένα φυσικό λευκό χαρτί για όλες τις τεχνικές υγρής ζωγραφικής. Το Harmony Watercolor είναι απαλλαγμένο από οξύ, ανθεκτικό στο φως και διαθέτει εξαιρετική μακροζωία. Διατίθεται σε Cold Pressed, Rough and Hot Pressed.

The Hahnemuhle Universal Mixed Media Block contains 25 sheets of 310gsm internally sized paper suitable for different painting techniques such as watercolour, acrylic, gouache and ink. The paper is natural white and has a fine grain surface texture for extraordinary painting effects. It is lignin free, acid free and age resistant. Available in 3 sizes.

This 75 gsm Layout Pad for Comic & Illustration is acid free, lignin free and age resistant. Special paper for felt-tipped pens, fibre pens, fineliners and markers. Colours do not bleed. Layout Pad is available in A4, A3 and A2 format each containing 75 sheets.