Thread sewn journal made of 96 sheets, in 4 colours, of Ingres paper 90 g/m2 and black cover of Murillo 360 g/m2. Acid Free, lightfast colours. Ideal for drawing, charcoal, pastel, ink and as well for your every intellectual whim. The paper colours are the following: ghiaccio, bianco, avorio and gialletto. The Artist’s Journals are singularly shrinkwrapped.
This fine Chinese Paper is suitable for brush writing, Chinese painting or calligraphy. It is made from mulberry bark in China using a centuries-old manufacturing process, and provides excellent quality at an affordable price for beginners and intermediates. The paper feels somewhere between crisp and soft. It is more absorbent, rough and matt on one side and less absorbent, smoother and shinier on the other. It is a warm off-white colour. The weight of this acid-free paper is 30g per square metre. The paper is supplied as a scroll . This scroll comes packaged in a hard cardboard tube for protection and storage.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.Colors:sahara, crema, perla, zabaione, bianco, polvere.
Hahnemühle Watercolour 300 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality. The prized cotton papers, Watercolour 300, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques. The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.
Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed
Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface.
Hardback landscape spiral bound watercolour book with cold pressed Fabriano paper 300gsm (140lb) This heavy-duty 300gsm paper is absorbent and allows for maximum pigment saturation, producing vibrant colors with each brushstroke. The cold pressed paper also has a texture that is ideal for dry brushwork, creating a captivating look.
Fabriano Accademia drawing paper is made of high quality lignin free and Acid Free cellulose, guaranteeing long conservation over time. FSC® certified from forests responsibly managed respectful of environmental, social and economic standards. Its internal and external sizing renders it resistant to repeated erasures. It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.
This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.
This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.
This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.
The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".
Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.
Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.
Fabriano Artistico watercolour paper is mould made, produced whit 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, whitout optical bleaching. Two deckle edgeg and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfied the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing. It is also suitable for printmaking.