Perfect for practicing before the first paint stroke, this canvas pad is a great place to begin and experiment. Sinoart Canvas Pads are made with medium textured, genuine cotton, artist quality canvas material that has been acrylic primed, making it ideal for use with acrylic and oil paints, or as a textured drawing surface for use with pastels, charcoal and chalk.
ExLibris Fusion Journal – 15x21cm approx. - 160 lined white pages. Colored Lokta endpapers. Its hard cover is made from two different-colored Lokta papers, assembled before being printed with metallic colors: Gold, Copper, or Silver. Handmade in Nepal.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.
Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.
This sketch book is ideal for drawing with pencil, charcol or red ochre. The matural white colour allows good contrast and colour vibrency of the sketches. Acid free and age resitant.
Natural white, acid free, lightfast and extremely age resistant. Finely woven texture, slightly rough, excellent properties for dry and wet painting techniques. The hard surface gives distinct colour flow.
This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.
Hahnemühle Ingres Pastel offers pastel artists the perfect surface. Designed for this specific artistic technique, the Ingres Pastel 100 gsm paper has fine ridges and a slightly rough surface. It allows even colour adherence without using a lot of pressure, producing precise and colour-intensive results. Thanks to the exclusive use of high-quality pigmented colours in the production of this paper, Ingres Pastel boasts exceptional lightfastness. It is ideal for pastels, pencils and red chalk.Hahnemühle Ingres Pastel is available as a pad in white or nine different shades. The sheets are available in 9 shades ( see the picture ). Hahnemühle Ingres Pastel is acid-free and age-resistant. Contains 20 sheets.
A fine, soft drawing paper with high volume. The fine matt surface structure allows for an even colour application. The natural white paper help to ensure the colours look soft and unencumbered. Suitable for all dry-painting techniques. The pads are available glued on top or spiral bound with micro perforation. In both cases, once removed from the pad, the sheets conform to the exact specified format size. Acid free and with high longevity.