Paper sheets & Blocks

The Hahnemuhle Universal Mixed Media Block contains 25 sheets of 310gsm internally sized paper suitable for different painting techniques such as watercolour, acrylic, gouache and ink. The paper is natural white and has a fine grain surface texture for extraordinary painting effects. It is lignin free, acid free and age resistant. Available in 3 sizes.

Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed

Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

The Expression Watercolour is a natural white, 100% cotton 300 gsm paper for all wet painting techniques and etching, and features internal and surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off. Expression Watercolour is acid and lignin free, light-resistant and features extreme longevity. The cold pressed surface is eraser-resistant due to the surface sizing.

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

Classic thin Lamali Lokta - Sheet 50x75cm approx. - thin Lokta paper (approx. 60 GSM) - natural vegetal color made with black tea - Handmade in Nepal.

Vendanges thin - 56x76cm approx. - Natural fibers paper - Made by hand in India

50 sheets

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect. Acid free and age resitant. Suitable for painting in oil and acrylic. 10 sheets

The ‘Concept Watercolour Joy’ watercolour paper pad comes with 50 sheets and is available in A4 or A5 format. The number of sheets offers enough paper for various projects, whether an extensive series, creative experiments or entire art projects – at a price that will delight you. With a weight of 300 gsm, the natural white watercolour paper provides a first-class base for colourful, expressive motifs. The cold pressed, slightly textured surface makes colours shine – whether delicate colour gradients or intense details – this paper turns every idea into an experience. Thanks to its surface-sized structure, ‘Concept Watercolour Joy’ takes up colour brilliantly. Whether watercolour, gouache, acrylic, ink, fine liner or watercolour pencils – anything is possible. The sizing at the head ensures that works can be easily removed and presented in style. Hahnemühle ‘Concept Watercolour Joy’ watercolour paper impresses with its high quality at an attractive price. Like all Hahnemühle papers, ‘Concept Watercolour Joy’ is vegan, age-resistant and acid-free.

Create beautifully designed bookmarks and put a smile on your face or that of a loved one with a very personal gift. The Hahnemühle bookmark pad is for all creative people. With pre-cut bookmarks you can get started straight away, there is no need for tedious cutting from a standard sheet of watercolour paper. This heavyweight 100% cotton 300 gsm watercolour paper is highly absorbent and can hold several layers of watercolours. It is also a perfect basis for self-designed collages that can be created on bookmarks instead of a painted picture. Featuring the popular Hahnemühle “Expression Watercolour” paper which is surface sized and has a cold pressed structure. Perfect for watercolour, gouache, acrylic, or fine liners. The surface sizing makes it easy to use masking tape and masking fluid without tearing the paper surface. The pad is glued to the top and contains 15 bookmarks in 5,5 x 20 cm format and can be used in portrait or landscape orientation. Sceneries or animals such as whales can be created in landscape format, while floral motifs adorn the bookmarks in portrait format. There are no limits to its use. Be creative.

The robust, structure-free surface of Hahnemühle Square Bristol allows you to work with dry or liquid drawing media. Pencils, ink pens, nibs, fineliners and acrylic markers glide evenly over the smooth surface. The Square pads are particularly suitable for small works of art and greetings cards.