Paper sheets & Blocks

Banana tree extra thin - 55x75cm approx. - deckle edge paper, natural banana tree leaf fibers - Made by hand in India

Banana tree extra thin - 55x75cm approx. - deckle edge paper, natural banana tree leaf fibers - Made by hand in India

Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.

Spiral-bound pad with 30 black pages, weight 140gsm.

Harmony Watercolour – A natural-white paper for all wet-painting techniques. Harmony Watercolour features surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own, unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off. Harmony Watercolour is acid free, light-resistant and features extreme longevity. It is available in Cold Pressed, Rough and Hot Pressed. And all are eraser resistant due to the surface sizing.

Ένα φυσικό λευκό χαρτί για όλες τις τεχνικές υγρής ζωγραφικής. Το Harmony Watercolor Το Harmony Watercolor είναι απαλλαγμένο από οξύ, ανθεκτικό στο φως και διαθέτει εξαιρετική μακροζωία. Διατίθεται σε Cold Pressed, Rough and Hot Pressed.

Ένα φυσικό λευκό χαρτί για όλες τις τεχνικές υγρής ζωγραφικής. Το Harmony Watercolor είναι απαλλαγμένο από οξύ, ανθεκτικό στο φως και διαθέτει εξαιρετική μακροζωία. Διατίθεται σε Cold Pressed, Rough and Hot Pressed.

The front side of the paper has the structure and charm as well as the flow behaviour of high quality mould-made papers. The reverse side has a matt structure which also offers interesting painting effects. Veneto is available as a block - glued on four sides - as well as in large sheet format* for large-scale works. Natural white, acid-free, lightfast and highly resistant to ageing. *lg = long grain, sg = short grain

Hahnemühle Watercolour 300 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality. The prized cotton papers, Watercolour 300, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques. The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

It is suitable for all dry techniques, from sketching & drawing to color pencils, and wet techniques, from pen & ink to gouache and watercolor. Mix every-thing and push your creativity to new frontiers. Available in 3 sizes. Short side spiral bound “true-size”: 14,8x21 cm, 21x29,7 cm, 29,7x42 cm

The Hahnemuhle Universal Mixed Media Block contains 25 sheets of 310gsm internally sized paper suitable for different painting techniques such as watercolour, acrylic, gouache and ink. The paper is natural white and has a fine grain surface texture for extraordinary painting effects. It is lignin free, acid free and age resistant. Available in 3 sizes.

Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed

Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.