Paper sheets & Blocks

Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.

A square fat book with section stitched binding. Grey cover with approx 100 pages, medium surface 100 gsm paper and a deckle edge on one side. 100% long fibred cotton rag paper. Vegan. Acid free. For watercolour and all painting and drawing media.

Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.

Handmade Lokta paper sheet, printed in 1 color.

ExLibris Fusion Journal – 15x21cm approx. - 160 lined white pages. Colored Lokta endpapers. Its hard cover is made from two different-colored Lokta papers, assembled before being printed with metallic colors: Gold, Copper, or Silver. Handmade in Nepal.

Banana tree extra thin - 55x75cm approx. - deckle edge paper, natural banana tree leaf fibers - Made by hand in India

Banana tree extra thin - 55x75cm approx. - deckle edge paper, natural banana tree leaf fibers - Made by hand in India

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.

Spiral-bound pad with 30 black pages, weight 140gsm.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

Χαρτί σχεδίου κατάλληλο για μολύβι, γραφίτη, μελάνη, μαρκαδόρους, γραμμικό σχέδιο κλπ.

Χαρτί σχεδίου κατάλληλο για μολύβι, γραφίτη, μελάνη, μαρκαδόρους, γραμμικό σχέδιο κλπ.

This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.

Hahnemühle FineArt has designed a special paper for Japanese sumi-e painting. This very absorbent paper is ideal for "freestyle" brush painting. "sumi" means "black ink" and "e" means both "path" and "painting". The natural white paper creates strong contrasts as the brush glides across the surface. Sumi-e is acid free and extremely age resistant.

When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.

When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.