Paper sheets & Blocks

Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.

Handmade Lokta paper sheet, printed in 1 color.

ExLibris Fusion Journal – 15x21cm approx. - 160 lined white pages. Colored Lokta endpapers. Its hard cover is made from two different-colored Lokta papers, assembled before being printed with metallic colors: Gold, Copper, or Silver. Handmade in Nepal.

Banana tree extra thin - 55x75cm approx. - deckle edge paper, natural banana tree leaf fibers - Made by hand in India

Banana tree extra thin - 55x75cm approx. - deckle edge paper, natural banana tree leaf fibers - Made by hand in India

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.

Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.

Spiral-bound pad with 30 black pages, weight 140gsm.

This sketch book is ideal for drawing with pencil, charcol or red ochre. The matural white colour allows good contrast and colour vibrency of the sketches. Acid free and age resitant.

Ένα φυσικό λευκό χαρτί για όλες τις τεχνικές υγρής ζωγραφικής. Το Harmony Watercolor Το Harmony Watercolor είναι απαλλαγμένο από οξύ, ανθεκτικό στο φως και διαθέτει εξαιρετική μακροζωία. Διατίθεται σε Cold Pressed, Rough and Hot Pressed.

Ένα φυσικό λευκό χαρτί για όλες τις τεχνικές υγρής ζωγραφικής. Το Harmony Watercolor είναι απαλλαγμένο από οξύ, ανθεκτικό στο φως και διαθέτει εξαιρετική μακροζωία. Διατίθεται σε Cold Pressed, Rough and Hot Pressed.

This 75 gsm Layout Pad for Comic & Illustration is acid free, lignin free and age resistant. Special paper for felt-tipped pens, fibre pens, fineliners and markers. Colours do not bleed. Layout Pad is available in A4, A3 and A2 format each containing 75 sheets.

This 75 gsm Layout Pad for Comic & Illustration is acid free, lignin free and age resistant. Special paper for felt-tipped pens, fibre pens, fineliners and markers. Colours do not bleed. Layout Pad is available in A4, A3 and A2 format each containing 75 sheets.

Manga Layout & Illustration is a white lightweight paper with a closed smooth surface. Even without a light table it can be easily used to trace. Colours don’t blend and even when applied as thick layers they don’t bleed through to the next sheet of the block. The Manga Layout & Illustration paper is available as 40-sheet blocks in A4 and A3 formats. The paper is acid free and has a high longevity level.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.