Paper sheets & Blocks

Paper produced wilh cotton, "acid free". For technical drawing: its surface is resistant to erasure and abrasion. Its rough surface is ideal far drawing with pen, Indian ink, pastel, carbon and aerograph. The smooth surface is recommended far drawing with Indian ink, pencil and aerograph. The pads are shrink-wrapped individually.

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.

Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.

Spiral-bound pad with 30 black pages, weight 140gsm.

This paper has a silky structure – which seems to be an ordinary paper at first glance – this allows for extraordinarily accurate drawing with virtually no blurring. It has a bright white surface which makes for clear contrasts. Controlling the pen is made pleasantly simple and when used with higher pressure, the pen makes for fine notches, allowing for undreamed of possibilities. Suited for all dry-painting techniques. Acid free with high longevity.

This sketch book is ideal for drawing with pencil, charcol or red ochre. The matural white colour allows good contrast and colour vibrency of the sketches. Acid free and age resitant.

The front side of the paper has the structure and charm as well as the flow behaviour of high quality mould-made papers. The reverse side has a matt structure which also offers interesting painting effects. Veneto is available as a block - glued on four sides - as well as in large sheet format* for large-scale works. Natural white, acid-free, lightfast and highly resistant to ageing. *lg = long grain, sg = short grain

Hahnemühle Watercolour 300 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality. The prized cotton papers, Watercolour 300, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques. The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings.

Χαρτί σχεδίου κατάλληλο για μολύβι, γραφίτη, μελάνη, μαρκαδόρους, γραμμικό σχέδιο κλπ.

Χαρτί σχεδίου κατάλληλο για μολύβι, γραφίτη, μελάνη, μαρκαδόρους, γραμμικό σχέδιο κλπ.

Acid-free paper sheets for sketching with charcoal, pastel and graphite.

Natural white, acid free, lightfast and extremely age resistant. Finely woven texture, slightly rough, excellent properties for dry and wet painting techniques. The hard surface gives distinct colour flow.

This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.

Hahnemühle FineArt has designed a special paper for Japanese sumi-e painting. This very absorbent paper is ideal for "freestyle" brush painting. "sumi" means "black ink" and "e" means both "path" and "painting". The natural white paper creates strong contrasts as the brush glides across the surface. Sumi-e is acid free and extremely age resistant.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

Hahnemühle Ingres Pastel offers pastel artists the perfect surface. Designed for this specific artistic technique, the Ingres Pastel 100 gsm paper has fine ridges and a slightly rough surface. It allows even colour adherence without using a lot of pressure, producing precise and colour-intensive results. Thanks to the exclusive use of high-quality pigmented colours in the production of this paper, Ingres Pastel boasts exceptional lightfastness. It is ideal for pastels, pencils and red chalk.Hahnemühle Ingres Pastel is available as a pad in white or nine different shades. The sheets are available in 9 shades ( see the picture ). Hahnemühle Ingres Pastel is acid-free and age-resistant. Contains 20 sheets.