Paper sheets & Blocks

When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.

When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.

The Expression Watercolour is a natural white, 100% cotton 300 gsm paper for all wet painting techniques and etching, and features internal and surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off. Expression Watercolour is acid and lignin free, light-resistant and features extreme longevity. The cold pressed surface is eraser-resistant due to the surface sizing.

A highly durable, new-generation paper designed for AURA alcohol-based inks. Available in 170g and in 72cm x 51cm sheets. AURA paper is a synthetic material with the properties of a very smooth, matte off-white paper. A double-sided coating makes the paper waterproof and prevents it from warping when used with inks. Durable and tear-resistant, it is suitable for many mixed media techniques, beautifully capturing the color of the applied ink. It allows for work with a variety of media and pigments, allowing for unique effects.

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

Classic thin Lamali Lokta - Sheet 50x75cm approx. - thin Lokta paper (approx. 60 GSM) - natural vegetal color made with black tea - Handmade in Nepal.

Vendanges thin - 56x76cm approx. - Natural fibers paper - Made by hand in India

Chiffon blanc - 56x76cm 150gsm approx. - Smooth surface - deckle edge 100% rag paper - Made by hand in India

Thé - 56x76cm approx. - 150gsm approx. delicate grain - deckle edge. 100% rag paper colored with natural tea - Made by hand in India.

Thé - 56x76cm approx. - 150gsm approx. delicate grain - deckle edge. 100% rag paper colored with natural tea - Made by hand in India.

Cannabis Bistre Paper - 55x75cm - 70gsm approx. - deckle edge paper - Handmade in India.

Ivory White Medium Hemp Paper - 55x75cm - 115gsm approx. - deckle edge - Handmade in India.

Sisal Naturel 120 gsm approx. – Sheet 55x75cm approx. Natural Sisal fiber paper, vat-made, deckle edges. Handmade in India. Sisal natural fiber has long been valued for its strength, especially in the making of rugs, textiles, and ropes. Derived from agave cultivation, it is renewable. Here, we have made it into a fairly lightweight, beautifully translucent paper with a natural look. Its surface, animated by longer, slightly pearlescent fibers, makes it ideal for various projects: Framing - Lighting - Décor - Binding - Box making.

50 sheets

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect. Acid free and age resitant. Suitable for painting in oil and acrylic. 10 sheets