Paper sheets & Blocks

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".

Traditional warm white Pads. They are mould-made of 100% cotton and are acid free/pH neutral. Sheets have two natural deckled edges and two cut edges. The paper is sized both internally and externally;ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing, also suitable for printmaking.

A special paper with linen finish. Feels like painting on canvas. The colours do not bleed but retain their high luminosity, no halo effect. Acid free and age resitant. Suitable for painting in oil and acrylic. 10 sheets

Acryl 330 gsm is a white, slightly shiny paper with a subtle linen texture. This paper represents a great medium for pastose paint applications. The slight gloss on the surface is even preserved after the painting. The linnen structure makes for additional painting effects. Even without clamping or wet pre-treatment, the paper remains smooth after painting. This artist paper is acid free and features a high level of longevity. Suitable for both - oil and acrylic painting, 20 sheets.

Thread stitching makes for a solid binding and good flatness of the sheets. This also makes sure that double sided sketches and drawings across the fold too can be created without any problems. With an anthracite-coloured cover featuring a linen structure, the book is hard-wearing and nice to the touch. Every book features 40 sheets / 80 pages. The heavy, natural white paper feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured draw. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity. Sketch book with anthracite cover 190 gsm natural white sketch paper 40 sheets / 80 pages

Thread stitching makes for a solid binding and good flatness of the sheets. This also makes sure that double sided sketches and drawings across the fold too can be created without any problems. With an anthracite-coloured cover featuring a linen structure, the book is hard-wearing and nice to the touch. Every book features 40 sheets / 80 pages. The heavy, natural white paper feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured draw. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity. Sketch book with anthracite cover 190 gsm natural white sketch paper 40 sheets / 80 pages