Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.
Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.
The Expression Watercolour is a natural white, 100% cotton 300 gsm paper for all wet painting techniques and etching, and features internal and surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off. Expression Watercolour is acid and lignin free, light-resistant and features extreme longevity. The cold pressed surface is eraser-resistant due to the surface sizing.
The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".
The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".
Traditional warm white Pads. They are mould-made of 100% cotton and are acid free/pH neutral. Sheets have two natural deckled edges and two cut edges. The paper is sized both internally and externally;ideal for watercolour, tempera, gouche, acrylic, link, charcoal, graphite and drawing, also suitable for printmaking.
Acryl 330 gsm is a white, slightly shiny paper with a subtle linen texture. This paper represents a great medium for pastose paint applications. The slight gloss on the surface is even preserved after the painting. The linnen structure makes for additional painting effects. Even without clamping or wet pre-treatment, the paper remains smooth after painting. This artist paper is acid free and features a high level of longevity. Suitable for both - oil and acrylic painting, 20 sheets.
Thread stitching makes for a solid binding and good flatness of the sheets. This also makes sure that double sided sketches and drawings across the fold too can be created without any problems. With an anthracite-coloured cover featuring a linen structure, the book is hard-wearing and nice to the touch. Every book features 40 sheets / 80 pages. The heavy, natural white paper feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured draw. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity. Sketch book with anthracite cover 190 gsm natural white sketch paper 40 sheets / 80 pages
Thread stitching makes for a solid binding and good flatness of the sheets. This also makes sure that double sided sketches and drawings across the fold too can be created without any problems. With an anthracite-coloured cover featuring a linen structure, the book is hard-wearing and nice to the touch. Every book features 40 sheets / 80 pages. The heavy, natural white paper feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured draw. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity. Sketch book with anthracite cover 190 gsm natural white sketch paper 40 sheets / 80 pages