Paper sheets & Blocks

Manga Layout & Illustration is a white lightweight paper with a closed smooth surface. Even without a light table it can be easily used to trace. Colours don’t blend and even when applied as thick layers they don’t bleed through to the next sheet of the block. The Manga Layout & Illustration paper is available as 40-sheet blocks in A4 and A3 formats. The paper is acid free and has a high longevity level.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour. Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.

Χαρτί σχεδίου κατάλληλο για μολύβι, γραφίτη, μελάνη, μαρκαδόρους, γραμμικό σχέδιο κλπ.

Χαρτί σχεδίου κατάλληλο για μολύβι, γραφίτη, μελάνη, μαρκαδόρους, γραμμικό σχέδιο κλπ.

This watercolour book is the ideal companion for artists who love to capture their holiday memories without delay. The natural white 200gsm paper features a fine grained surface structure on both sides. Making it ideal for creating full width panoramic paintings. With 60 pages / 30 sheets, the watercolour book is compact while offering an ample amount of pages to paint your memories on. With a durable cover and a rubber band to hold the cover together your art work is protected. Available in the landscape formats A6, A5 and A4, also it is acid free and features a high longevity.

It is suitable for all dry techniques, from sketching & drawing to color pencils, and wet techniques, from pen & ink to gouache and watercolor. Mix every-thing and push your creativity to new frontiers. Available in 3 sizes. Short side spiral bound “true-size”: 14,8x21 cm, 21x29,7 cm, 29,7x42 cm

The Hahnemuhle Universal Mixed Media Block contains 25 sheets of 310gsm internally sized paper suitable for different painting techniques such as watercolour, acrylic, gouache and ink. The paper is natural white and has a fine grain surface texture for extraordinary painting effects. It is lignin free, acid free and age resistant. Available in 3 sizes.

Acid free watercolour board. Natural white, rough, glued on two sides. Excellent for drawing and watercolour painting.

Natural white, acid free, lightfast and extremely age resistant. Finely woven texture, slightly rough, excellent properties for dry and wet painting techniques. The hard surface gives distinct colour flow.

Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

This high quality, 100% cotton rag, mould-made watercolour board is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. This stable cylinder mould watercolour board with its fine grain and harmonious structure allows excellent colour flow. The surface sizing permits corrections to be made to the wet paper. The colours retain their brilliance. Especially suitable for wet painting techniques: watercolour – especially glazing – lavis, gouache, tempera and acrylic.

600 gsm - 100% cotton - surface sized - cold pressed and hot pressed Leonardo is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. The heavy weight of this paper with its smooth, harmonious surface structure offers excellent flow of colour and ensures high brightness. This board is excellent for all watercolour techniques especially wet-in-wet and glazing. It is also suitable for painting techniques such as lavis, gouache, tempera and acrylic.

600 gsm - 100% cotton - surface sized - cold pressed and hot pressed Leonardo is natural white, acid free, lightfast and extremely resistant to ageing. The Pads are glued and gauzed to ensure flatness when wet. The heavy weight of this paper with its smooth, harmonious surface structure offers excellent flow of colour and ensures high brightness. This board is excellent for all watercolour techniques especially wet-in-wet and glazing. It is also suitable for painting techniques such as lavis, gouache, tempera and acrylic.

Hahnemühle FineArt has designed a special paper for Japanese sumi-e painting. This very absorbent paper is ideal for "freestyle" brush painting. "sumi" means "black ink" and "e" means both "path" and "painting". The natural white paper creates strong contrasts as the brush glides across the surface. Sumi-e is acid free and extremely age resistant.