Paper produced wilh cotton, "acid free". For technical drawing: its surface is resistant to erasure and abrasion. Its rough surface is ideal far drawing with pen, Indian ink, pastel, carbon and aerograph. The smooth surface is recommended far drawing with Indian ink, pencil and aerograph. The pads are shrink-wrapped individually.
Paper produced wilh cotton, "acid free". For technical drawing: its surface is resistant to erasure and abrasion. Its rough surface is ideal far drawing with pen, Indian ink, pastel, carbon and aerograph. The smooth surface is recommended far drawing with Indian ink, pencil and aerograph. The pads are shrink-wrapped individually.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.
Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.
Fabriano Black Black is a range of uncoated cardboards made of ECF cellulose pulp. This paper is characterized by a very deep black colour due to the high quality and lightfast pigments used for its production. Flexible and resistant it is ideal for pastel, colour pencils, markers, acrylics, passe-partout and portfolio presentations.
This paper has a silky structure – which seems to be an ordinary paper at first glance – this allows for extraordinarily accurate drawing with virtually no blurring. It has a bright white surface which makes for clear contrasts. Controlling the pen is made pleasantly simple and when used with higher pressure, the pen makes for fine notches, allowing for undreamed of possibilities. Suited for all dry-painting techniques. Acid free with high longevity.
This sketch book is ideal for drawing with pencil, charcol or red ochre. The matural white colour allows good contrast and colour vibrency of the sketches. Acid free and age resitant.
Natural white, acid free, lightfast and extremely age resistant. Finely woven texture, slightly rough, excellent properties for dry and wet painting techniques. The hard surface gives distinct colour flow.
This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.
Hahnemühle FineArt has designed a special paper for Japanese sumi-e painting. This very absorbent paper is ideal for "freestyle" brush painting. "sumi" means "black ink" and "e" means both "path" and "painting". The natural white paper creates strong contrasts as the brush glides across the surface. Sumi-e is acid free and extremely age resistant.
Britannia is particularly well suited for watercolour (wet-in-wet, smooth wash and dry painting), as well as gouache, tempera and acrylic. When wet, the natural white tough surface provides outstanding flatness. Colours can be applied easily, it is lignin and natural white, acid-free, lightfast and extremely age resistant. Available in: Hot Pressed and Cold Pressed.
A fine, soft drawing paper with high volume. The fine matt surface structure allows for an even colour application. The natural white paper help to ensure the colours look soft and unencumbered. Suitable for all dry-painting techniques. The pads are available glued on top or spiral bound with micro perforation. In both cases, once removed from the pad, the sheets conform to the exact specified format size. Acid free and with high longevity.
The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".
The Fabriano 5 paper is mould made of a valuable mixture of cotton (50%) and accurately sected raw material. The absence of acid guarantees the inalterability over time of the paper. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, wax, graphite, felt-tipped pens, drawing and printmaking (etching, lithography and silk-screening), announcements and invitations. The watermark (only on sheets) reproduces the Fabriano logo and the inscription "50% COTTON".