Printmaking Papers

Fabriano Unica is a paper made of 50% cotton fibres and it is ideal for all printmaking techniques. Moreover, thanks to its softness and flexibility it is perfect for dry techniques as well. Available in 250 gsm, white, this paper compiles with the ISO 9706 regulation (Long Life), Acid Free. Ideal for charcoal, pencil, pastel and sanguigne.

Original and practical, this large roll of thin Lamali-Lokta paper, rolled on a bamboo rod! Made with a frame, its four edges are fringed. For your felt-tip, roller, Calligraphy brush, graphite lead etc... Size 30x300 cm.

This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.

This heavy weight, supple board is ideal for all forms of intaglio and lithography applications. The board’s matt, smooth, life-like surface produces particularly effective prints.

Classic Thin Lokta, Mould made paper - deckled edges

Classic Thin Lokta, Mould made paper - deckled edges

Classic Thin Lokta - 50x75cm - Mould made paper -deckled edges - Handmade in Nepal.

Classic Thin Lokta - 48x70cm - Mould made paper -deckled edges - Handmade in Nepal.

Classic Thin Lokta - 48x70cm - Mould made paper -deckled edges - Handmade in Nepal.

Classic Thin Lokta - 48x70cm - Mould made paper - CUT EDGES - Handmade in Nepal.

Hahnemühle FineArt has designed a special paper for Japanese sumi-e painting. This very absorbent paper is ideal for "freestyle" brush painting. "sumi" means "black ink" and "e" means both "path" and "painting". The natural white paper creates strong contrasts as the brush glides across the surface. Sumi-e is acid free and extremely age resistant.

Lokta paper made in Τhai method .Handmade.