Professional dry watercolors in pans are made according to traditional recipes based on gum arabic and thoroughly ground pigments and the addition of acacia honey, used as a binder. Almost the entire watercolor production process is carried out manually to ensure the highest quality and purity of the traditional recipe. In their production, selected organic and inorganic pigments are used, including real Polish cadmium and cobalt. This product is characterized by high solubility and a high degree of resistance to light: watercolors are produced by hand and naturally dried. The range consists of 54 colors
Renesans H2Oil is a graphic oil paint specially developed for linocut and woodcut, but washable with water, without solvents, which makes it easier to clean and without unpleasant odors.
The Litho Ink Tusche for lithography with the highest pigment load to meet the artists expectations for high prints quality. Excellent for all forms of lithography and monotype on stone. The Litho Ink Tusche Senefelder contains resins that make it harder and more resistant with a great, solid black.
Hydropower Medium by Renesans. A liquid, odorless medium for oil paints in a 100 ml bottle. Hydropower Medium allows you to mix oil paints with water instead of turpentine or linseed oil. Thanks to it, there is no need to use harmful solvents - tools can be easily washed only with soap and water. The drying time and varnishing are carried out in a traditional way for oil paints. The medium should be mixed with the paint using a spatula in a ratio of 1: 2 (medium: oil paints). Water can be added to the resulting mixture to thin the paint. The medium increases the transparency and gloss of the paints.
Milky paste that causes cracking of the top layer of acrylic paints, ready to use directly from the jar. Directions for use: Using a dry, soft and clean brush, apply the undercoat to the selected surface. Preferably two layers. As soon as the last layer of the mass starts to dry, being only slightly sticky, you should start applying another color of acrylic paint, preferably contrasting with the color under the base mass. Stronger cracks can be obtained by changing the direction of the brush strokes in relation to the direction in which the undercoat was applied. The layer of new paint on the surface will crack immediately, revealing the color of the paint on the underside.