Linseed oil boiled with oil-soluble siccatives. A little more yellowing than linseed oil and stand linseed oil; dries faster than linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil and tempera colours.
Bleached poppy oil. Less yellowing than linseed oil; slower drying than linseed oil varnish, linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of white oil colours. Attention: Use only sparingly and always in combination with sunflower- or linseed oil!
Ready-to-use binder for Schmincke Oil bronzes. For brilliant metallic effects on oil paintings and several other surfaces like wood, metal or gypsum. The gilding remains after drying soluble to turpentine respectively turpentine substitute. (Pre-tests are recommended prior to the application of varnish!).Mix 3 parts Schmincke oil-bronze and 2 parts bronze medium with a painting knife shortly before application.
Binder for own production of water-colours and gouache colours. Dilutable with water; dries to a wiping resistant film, but remains water-soluble. Improves adhesion of undercoats when added to Schmincke water-colours and gouache colours; increases gloss, transparency and intensity of colours.
Effect medium for water-colours. Allowes sparkling pearlescent effects. Retards drying; remains watersoluble after drying like a water-colour; to be mixed with water-colours or applied pure. Shake before use.