Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to set up transparency paintings on gouache, tempera and acrylic paints; thins with hardly affecting the drying time and gloss. Dosage: 10 to max. 20%
Genuine Artists´ Bronzes, are formulated based on real metal pigments for painting techniques in acrylic colours. 5 colours are available: rich gold, rich pale gold, pale gold, copper and silver. Schmincke Genuine Artists' Bronzes contain bronze or aluminium pigments. Therefore they are very light fast, more opaque and more brilliant than other metallic effect colours made of pearl lustre pigments. Ready to use acrylic colours, for special effects on acrylic pain- tings and other greesefree surfaces, such as paper, cardboard, wood, metal, plastic or gypsum. Handling: Apply undiluted with a brush on the surface of your choice. Can be diluted with water; dries wipe and water resistant.
Fluorecent pigment range that includes finely sieved and highly lightfast pigments in 100 ml jars. Combined with the ready-to-use binders, it is easy to grind individual artists’ colours of oil, acrylic, watercolour, gouache and lino print. Of course, the pigments are also very well suited to other techniques and mixed-media. High lightfastness. Finely sieved .Vivid effects with daylight. Best fluorescent effects with black lights.Schmincke Premium artists’ pigments bear the seal “100% Pigment”. They contain 100% pure, unblended artists’ pigment. 100% Pigment is a guarantee of the highest possible brilliance, colour intensity and coverage.
Three shades of black allows the leap from drawing to painting Liquid charcoal in the 35 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Please note: Due to the fact that the pigments are natural products, there may be minimal colour variations in each batch.