Schmincke

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Indian Ink 1912 is a high-quality drawing ink that is perfect for drawing, painting and writing. Based on the historic Schmincke formulas from 1912, also known as "Chinese ink", it offers deep black, absolutely lightfast, waterproof and document-proof characteristics. The ink is characterized by its fluid consistency, which makes it perfect for writing, painting and drawing with various nibs and brushes. The neutral deep black (made from the pigment Pbk7) on a natural basis can be used both pure and diluted with water on smooth, satinised papers such as drawing papers. It dries to a silky gloss finish that makes the artwork particularly appealing. Indian Ink 1912 is available in round glass pipette bottles, each containing 28 ml, as well as in larger 250 ml plastic bottles.

Norma® Professional is a modern, environmentally-friendly formulated oil colour of the finest quality for professional and demanding oil painting. The balanced range of colours consists of 84 brilliant, traditional and modern colours including 27 high-quality transparent colours and several unique special colours. These include not only highly lightfast and opaque chrome yellow shades, but also special shades such as poppy red, cobalt turquoise, agate brown, Schweinfurt green hue, neutral black, gold, silver, bronze and others. All 84 colours have maximum lightfastness (4-5 stars).

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Pasty medium for oil colours. Suitable for prima- and putty-knife painting technique. Preserves the natural tone and buttery character of an oil colour; accelerates drying and supports the through drying of thicker oil layers. There is no change of the product quality based on the colour change of the raw material stand oil. Dosage: 10 to max. 30%