Schmincke

Ready-to-use binder for easy grinding of sharpcontured linoprint colours in combination with Schmincke pure artists´ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.

Three shades of black allows the leap from drawing to painting Liquid charcoal in the 35 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Please note: Due to the fact that the pigments are natural products, there may be minimal colour variations in each batch.

The 3 liquid earths are formulated based on natural pigments mined regionally in Germany. They are a fantastic liquid addition or alternative to traditional drawing materials, such as pencils or carré sticks. Liquid chalk – 18 850 Liquid sanguine – 18 854 Liquid umber – 18 852

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

ellylike medium for “soft” painting with oil colors. Improves flow and reduces brush stroke; accelerates drying highly; increases gloss and transparency. There is no change of the product quality based on the color change of the raw material alkyd resin. Shake well and stir – if necessary – before use. Close immediately after use. Dosage: 10 to max. 20%.Thinner: Turpentine substitute

A “neutral”, nearly non-yellowing painting- and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough); has only a low impact on drying time. For dilution use terpin (max. 30%). Dosage: 10 to max. 20%.