Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.
Reviver to restore brittle and dull oil-colour layers which have been through dried over a long period. Works more efficient than oil of turpentine or turpentine substitute (50019). Rub in the medium sparingly (!) with a soft lint-free cloth until original brightness is regained. The necessary penetration time depends on the hardness of the colour layers. On principle: as short as possible. Remove the medium carefully from the surface with oil of turpentine or turpentine substitute . Follow-up treatment with final or picture varnish is recommended (please wait some weeks until the picture layers has been consolidate.
Bleached poppy oil. Less yellowing than linseed oil; slower drying than linseed oil varnish, linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of white oil colours. Attention: Use only sparingly and always in combination with sunflower- or linseed oil!
Fluid acrylic-medium for pouring. Optimized flow properties. Use pure or mixed in any ratio with acrylic colours (pretest!). Reduces crazing. Dries water-resistant, glossy and clear-transparent. Non-yellowing, flexible film with tack-free surface.
A natural coloured, light-resistant and non-aging, very adsorbent primer for working with pastels on greaseless surfaces like wood, metal, canvas or paper (> 350 g/m2 ). Forms an elastic, matt, rough film after drying. Ideal for mixing techniques with watercolours, gouache or acrylic colours. Primer for pastels is ready for the application with a paint roller; for working with a brush please dilute with max. 20% of water.
For oil and resin-oil colours - to make oil colours suitable for printing (relief and gravure/ intaglio). Add the medium approx. 1:1 to the oil colour. Suitavle for any oil and resin-oil colour. Cleaning of printing blocks and working equipment with all cleaning agents for painting in oil.
For oil and resin-oil colours - to make oil colours suitable for printing (relief and gravure/ intaglio). Add the medium approx. 1:1 to the oil colour. Suitavle for any oil and resin-oil colour. Cleaning of printing blocks and working equipment with all cleaning agents for painting in oil.
Very fast drying medium for oil colours. Especially recommended for prima painting, transparency painting, and also for the application of upper colour layers on already dried layers; increases gloss and transparency. Quick application is necessary as the mixture dries fast on the pallet. Close immediately after use. Dosage: 10 to max. 20%.