Schmincke

Φυσική τερεβινθίνη πεύκου. Περισσότερες πληροφορίες παρακάτω.

A pure, light and purified walnut oil. Binding component for own-production of non-white oil colours and for painting mediums. The oil ratio very much depends on the type and quantity of the pigment. Slower drying and less yellowing than linseed oil. Thinner: Turpentine substitute (50019)

Ready-to-use binder for easy grinding of translucent water-colours in combination with Schmincke pure artists´ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.

As coating for acrylic colours or in any mixing ratio with acrylic colours useable. Mat finish, can be partially or fully polished with a soft cloth.

Μίγμα διαλυτών για χρώματα λαδιού. Περισσότερες πληροφορίες παρακάτω.

Synthetic resin varnish 50585 Final varnish for paintings in acrylic. Matt, colourless; non-yellowing; age-resistant; fast drying. Thinner: Turpentine substitute (50019)

Varnish for technical water-colour proceedings. Protects against dust and humidity. Glossy; colourless; non-yellowing; very fast drying; based on alcohol. (Attention: don´t mix with varnishes based on mineral spirit; brushes to be cleaned with alcohol; intensifies colour tones and increases transparency of watercolour papers!) For fixator/atomizer!

Final varnish for acrylic painting based on high-quality acrylic resin. ----------------------------------------------------------------------------------------------- The product is ready to use but can be diluted with water if necessary Apply quickly with a suitable varnish brush at room temperature only to a completely dry paint layer (after about 3 days for thinly applied acrylic paints and 1 to 2 weeks for impasto paints). If possible, only apply to slightly absorbent substrates; on absorbent substrates, the varnish may sink in and require repeated application. [Caution! The first layer of varnish will be dissolved again when a second layer is applied]. Clean tools with soap and water immediately after use. The usual layer thickness of varnish has no significant influence on the UV resistance of the paint layer. We therefore strongly recommend working with high-quality, lightfast acrylic paints right from the start. Close the container immediately after use. Store in a cool, dry place and protected from frost Not recommended for exterior use Individual pre-tests are recommended

Pasty final varnish for paintings in oil made from best white Palembang dammar and beeswax. May only be applied by ball of the thumb or with a lint-free cloth at room temperature to the layer of oil paint after it has dried completely, i.e. after 8 - 12 month at the earliest. After the layer has completely dried (approx. 24 hours) the initial matte varnish becomes satin-glossy by carefully polishing with a soft brush. Contains beeswax, dammar, white spirit.