Schmincke

Genuine Artists´ Οil Bronzes, are formulated based on real metal pigments for painting techniques in oil colours. 5 colours are available: rich gold, rich pale gold, pale gold, copper and silver. Schmincke Genuine Artists' Oil Bronzes contain bronze or aluminium pigments. Therefore they are very light fast, more opaque and more brilliant than other metallic effect colours made of pearl lustre pigments. Only suitable for indoor objects!Iridescent metal effect on oil paintings or other pre-primed surfaces, such as wood, metal or gypsum; use only in combination with bronze medium .When used on absorbent surfaces, we recommend an additional pre-treatment with turpentine substitute and thinned bronze medium. Handling: Mix 3 parts Oil-Bronze and 2 parts bronze medium with a painting knife - shortly before application. If requested, thin with e.g. turpentine substitute; dries wipe and water-resistant. Colour layers remain soluble to oil of turpentine (50102) or turpentine substitute after drying.

Gloss varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month).Elastic,Non-yellowing, non ageing.

Προστατευτικό βερνίκι για ακρυλικά σε σπρέι. Γυαλιστερό, διαφανές, ελαστικό. Δεν κιτρινίζει και προστατεύει από την UV ακτινοβολία και τις καιρικές συνθήκες. Στεγνώνει γρήγορα.

Supergranulating colours are watercolours with a special property: the combination of at least 2 granulating HORADAM® pigments intensifies this effect to "supergranulation". The colours are formulated with pigments from different colour ranges, resulting in additional colour changes besides the granulation effect. For example, the shade "Deep Sea Indigo" (14 952) is a combination of violet and green pigments, while "Glacier Brown" (14 965) contains a brown and a green pigment. This novel, natural structure formation of the colours varies depending on the paper and the amount of water used. The rougher the paper, the stronger the granulating effect. The 40 supergranulating colours are divided into 8 thematic series of 5 colours each: Deep Sea, Glacier, Galaxy, Forest, Tundra, Volcano, Shire and Desert. The colours are available in half pans. All supergranulating HORADAM® AQUARELL colours have exclusively 4 and 5 stars lightfastness and contain only pigments already known from HORADAM®. The opacity of the colours is predominantly semi-transparent / semi-opaque. All supergranulating colours can be used on their own and perfectly in combination with all 139 HORADAM® AQUARELL watercolours as well as all AKADEMIE® Aquarell watercolours.

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour. Contains 10 tubes. Colours: 215 - lemon yellow 224 - cadmium yellow light 349 - cadmium red light 353 - permanent carmine 494 - ultramarine finest 492 - Prussian blue 519 - phthalo green 655 - yellow ochre 649 - English Venetian red 663 - sepia brown

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.Contains 12.

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.Contains 12.

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.Contains 12.

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.Contains 18.