Schmincke

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Colourless after drying

The 3 liquid earths are formulated based on natural pigments mined regionally in Germany. They are a fantastic liquid addition or alternative to traditional drawing materials, such as pencils or carré sticks. Liquid chalk – 18 850 Liquid sanguine – 18 854 Liquid umber – 18 852

Three shades of black allows the leap from drawing to painting Liquid charcoal in the 35 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Please note: Due to the fact that the pigments are natural products, there may be minimal colour variations in each batch.

Ready-to-use binder for easy grinding of sharpcontured linoprint colours in combination with Schmincke pure artists´ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.

Indian Ink 1912 is a high-quality drawing ink that is perfect for drawing, painting and writing. Based on the historic Schmincke formulas from 1912, also known as "Chinese ink", it offers deep black, absolutely lightfast, waterproof and document-proof characteristics. The ink is characterized by its fluid consistency, which makes it perfect for writing, painting and drawing with various nibs and brushes. The neutral deep black (made from the pigment Pbk7) on a natural basis can be used both pure and diluted with water on smooth, satinised papers such as drawing papers. It dries to a silky gloss finish that makes the artwork particularly appealing. Indian Ink 1912 is available in round glass pipette bottles, each containing 28 ml, as well as in larger 250 ml plastic bottles.

Pasty medium for oil colours. Suitable for prima- and putty-knife painting technique. Preserves the natural tone and buttery character of an oil colour; accelerates drying and supports the through drying of thicker oil layers. There is no change of the product quality based on the colour change of the raw material stand oil. Dosage: 10 to max. 30%